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Czasopismo: Er(r)go. Teoria - Literatura - Kultura

Autorytet artysty ponowoczesnego

Maciej Dęboróg-Bylczyński

Data publikacji: 30-06-2016 | Abstrakt

W niniejszym artykule podjęty zostaje namysł nad kondycją artysty po postmodernizmie, ze szczególnym uwzględnieniem tych kategorii, które wyrastają z ich dzieł, autorytetu oraz autorskości. Jak przekonuje autor, ponieważ idee przypisywane do konkretnych dzieł artystycznych przeszły dramatyczne zmiany, mimo braku zaintereoswania nimi ze strony autorów, musi istnieć niezależna, ontologiczna geneza sztuki. Co więcej, ta zasada, a może dynamika, pozostaje trans-historyczna, niezależnie od różnych konfiguracji autorów i idei. Mimo ze zarówno idee oraz autorytety kojarzone z artystami, są one tak naprawdę "produkowane" przez teoretyków, historyków, krytyków, filozofów oraz nauczycieli akademickich. Zasadne wydaje się zatem twierdzenie, iż postmodernizm - tak, jak egzystencjalna i romantyczna hermeneutyka przed nim - nie stanowi ani zagrożenia dla nich, ani nie ustanawia nowego porządku; artyści wciąż są inspirowani przez tę niezmienną siłę, która następnie będzie stanowić podwaliny dla kolejnych autorytetów i idei.

2016-06-30



Czasopismo: Er(r)go. Teoria - Literatura - Kultura

Seks i trwoga, czyli autorytet w estetykach zgrozy i afirmacji

Łukasz Michalski

Data publikacji: 01-01-2013 | Abstrakt

Łukasz Michalski

Sex and Terror:

Authority and the Esthetics of Terror and Affirmation

What is substantively important for this text is its “proximity” to a book by Pascal Quignard Sex and Terror, as well as the cultural vision of the symbolic authority postulated by Lech Witkowski (among other works in the book Challenges of the Authority). Both contexts have become a decisive impulse to start the argument, which essentially boils down to showing two aesthetics of perceptions of authority: horror and affirmation. The first part of discussion is, therefore, devoted to the description of the “dark colors”, which usually take the form of narratives treating sacrifice, pain and (self-)destruction as the dominant nature of authority and of being “towards” it. In the second part of the text, in the form of a counter-attack to the “dark” theses, there appears a description of the “bright colors”, which are founded on, among other things, the derridean image of deconstructive affirmation, Michał Paweł Markowski’s vision of the phenomenon of understanding, or Steiner’s libido sciendi. In order to show the “practice” of the aesthetics of affirmation, in the end the text recalls the five manifestations of symbolic authority.

2013-01-01



Czasopismo: Er(r)go. Teoria - Literatura - Kultura

Autorytet reżysera w teatrze

Kazimierz Braun

Data publikacji: 01-01-2013 | Abstrakt

Kazimierz Braun

Director’s Authority in Theatre

The article presents the evolution of the position of the theatre’s director, which, as it is known, ended with the claim that the twentieth century was the age of the director. Meanwhile, a theatre without a director is not an unknown phenomenon. The author tracks the birth and the development of direction from practice to art, and the subsequent popularisation of directing in the organization of theatrical performances. The author gives a separate account the historical context of the domination of director in the Western culture. It also discusses the various sources of authority of the director, and presents a variety of director’s states, from a “total” director to the crisis of his authority. Other types of the director’s impact and engagement models constitute separate considerations, including the characteristics represented by such figures as: charismatic, educator, writer, playwright, administrator, and activist. The article refers to various types of influence typical of different historical periods and different patterns of involving culture in social life.

2013-01-01



Czasopismo: Er(r)go. Teoria - Literatura - Kultura

Autorytet i wartości u stóp

Lech Witkowski

Data publikacji: 01-01-2013 | Abstrakt

Lech Witkowski

Authority and Values at One’s Feet

The author attempts to summarize his own discussions from previous books devoted to the category of authority in social practice, symbolic culture, and in the history of humanities and social sciences. He emphasizes the idea of treating every place that can implement the reference to authorities as being at every man’s feet, at hand. Such perspective invalidates the view of authority in terms of a highly dominating point of reference, or a guarantee of certainty which relieves us from the effort of our own investigations, and points out the illusion of treating authority only in terms of a distanced repetition of erudite associations. What matters is the value of a real encounter with the life-giving symbolic contents which is easily neglected instead of being carefully considered. It is absolutely crucial to liberate education and spiritual development from the ritualization of pretence, and the lack of care for being rooted in culture in terms of symbolic memory. The author cites examples of Paul Ricoeur’s experiences as a dean during the student revolt, Joseph Chałasiński’s analysis of the “intelligentsia ghetto” and its relation to the authority, as well as specific approaches to Andrew Kiev’s masterpieces. Czeslaw Milosz, and Martin Heidegger turn out to have been crucial for the understanding of authority for the author of the article.

2013-01-01



Czasopismo: Er(r)go. Teoria - Literatura - Kultura

ER(R)GO nr 26 (1/2013) - autorytet/hierarchia/wpływ (pod gościnną redakcją Lecha Witkowskiego)

Redakcja Er(r)go

Data publikacji: 01-01-2013

2013-01-01