Herman Melville’s Mardi emerges as a pivotal work that bridges the domains of narrative realism and philosophical allegory, reflecting the writer’s evolving artistic ambitions and his quest for truth. This article
examines Melville’s exploration of the poet’s role and literature’s potential as a medium for conveying profound philosophical insights. Drawing on Agnes D. Cannon’s critical framework and Melville’s marginalia,
the analysis highlights how the writer constructs a multidimensional vision of the artist as entertainer, mouthpiece, interpreter, visionary, savior, and mythmaker. Melville’s poetic philosophy integrates Romantic notions of art’s transformative power with a critical stance on truth, emphasizing the poet’s duty to grapple with both beauty and the sublime while navigating the moral and existential ambiguities of human existence.
By reimagining narrative as an epistemological journey, Melville challenges his contemporaries’ aesthetic expectations and affirms literature’s capacity to inspire intellectual and spiritual growth. This article situates Mardi within 19th-century debates on aesthetics and truth, shedding light on Melville’s literary aspirations and his enduring contributions to the philosophy of art.
English