Search Results

Journal: Review of International American Studies

A.K. Ramanujan’s Insightful Observations on Various Aspects of the United States of America. Looking Briefly at the Diary Entries

Jolly Das

Language: EN | Published: 27-06-2024 | Abstract | pp. 87-103

Attipat Krishnaswamy Ramanujan (16 March 1929-13 July 1993) travelled extensively in peninsular India, collecting folktales from rural regions. Since he was already on the move, as a folklorist and as a teacher who taught in several colleges in South India consecutively, it wasn’t difficult for him to set sail for the United States of America when he received the Fulbright Travel Fellowship and Smith-Mundt Grant in 1959, to continue with his studies in linguistics. On 1 July 1959 he boarded the Strathaird in Bombay and undertook a land-journey through France to reach Southampton where he boarded the SS Queen Elizabeth which took him to New York on 28 July 1959. He wrote about experiences and observations during this journey in his “Travel Diary, 2 to 27 July 1959, Bombay to New York”, in the anthology Journeys: A Poet’s Diary (2018).  The first-ever travel overseas, to the US, was full of excitement and anxiety for the young man of thirty. This journey was the initiation for his passage to the country he was to inhabit for the rest of his life, as a teacher in the University of Chicago—a transition from the familiar world (his interior landscape, akam) to the unfamiliar country (the world outside his self, the puram). The article shall focus on Journeys: A Poet’s Diary and A.K. Ramanujan’s unpublished diary to explore his observations and experiences of life in the US. These reveal the way in which his inner self met the new space he entered, followed by his expressing, through his creative and critical self, the interface and intermingling of the two. These travel writings go beyond mere records of observations—they are cultural artifacts left behind by a truly transnational traveler — as a man from a South-Indian milieu; who had been exposed to the British system of education; who was exceptionally intelligent, a poet and critic; and, a keen observer. Theories which engage with the akam-puram paradigm, environment (Buel), culture in a liquid modern world (Bauman) and cosmopolitanism (Appiah) shall be used as tools to analyse and assess the select texts.

 

2024-06-27



Journal: Review of International American Studies

Gaze. An In/Sight

Paweł Jędrzejko

Language: EN | Published: 15-06-2022 | Abstract | pp. 5-15

Desired and abhorred, wished for and fought against, protective and oppressive, surveillance is older than the hills. Since the times immemorial, humans would pray to all-seeing gods in hope that the immortals would watch over them and protect them against perils. Divine protection, however, has always come at a price. Irrespective of the religion, the promise of the deliverance from (variously construed) evil hinges upon the believer’s readiness to dutifully observe gods-given laws. Defiance, impossible to hide from the all-seeing eye, does not only strip one of the “protected” status—it also dooms one to (inevitable) punishment. Why then would anyone choose to transgress? Why not entrust oneself to surveillance if there is nothing sinister to hide? What could be wrong about abiding by the laws? Revisiting some of the essential notions of surveillance studies, this editorial proposes a shift from the concepts explored by Jeremy Bentham and Michel Foucault to Deleuzoguattarian, post-humanist, perspective on surveillance studies.

2022-06-15



Journal: Review of International American Studies

BOOK REVIEW: Landscapes of Writing in Chicano Literature

Ewa Wylężek

Language: EN | Published: 01-03-2013 | Abstract

Ewa Wylężek's review of Landscapes of Writing in Chicano Literature, edited by Imelda MartÍn-Junquera Palgrave Macmillan 2013

2013-03-01



Journal: Review of International American Studies

Traveling Bodies: Interdisciplinary Perspectives on Traveling as an Embodied Practice, edited by Nicole Maruo-Schröder, Sarah Schäfer-Althaus, and Uta Schaffers (A Book Review)

Julia Szołtysek

Language: EN | Published: 01-05-2024 | Abstract | pp. 241-244

The present review looks at the recent contribution to the Routledge Research in Travel Writing series—Traveling Bodies: Interdisciplinary Perspectives on Traveling as an Embodied Practice, edited by Nicole Maruo-Schröder, Sarah Schäfer-Althaus, and Uta Schaffers. The review discusses the contents of the volume, the concept and methodology employed in the work, as well as the major aspects pertaining to its position within the broad field of travel writing. It offers an evaluation of the originality of the collection and assesses the quality of the contributions included in the volume, highlighting how the gathered articles enrich the ongoing academic debate on travel, travel writing and the embodied experience of mobility and movement. The present review looks at the recent contribution to the Routledge Research in Travel Writing series—Traveling Bodies: Interdisciplinary Perspectives on Traveling as an Embodied Practice, edited by Nicole Maruo-Schröder, Sarah Schäfer-Althaus, and Uta Schaffers. The review discusses the contents of the volume, the concept and methodology employed in the work, as well as the major aspects pertaining to its position within the broad field of travel writing. It offers an evaluation of the originality of the collection and assesses the quality of the contributions included in the volume, highlighting how the gathered articles enrich the ongoing academic debate on travel, travel writing and the embodied experience of mobility and movement.

2024-05-01



Journal: Review of International American Studies

From Knight Errant to Exploring Pioneer: The Influence of Medieval Romances on the Depiction of Human and Non-Human Others in John Filson’s “The Adventures of Col. Daniel Boon”

Giulia Magro

Language: EN | Published: 31-12-2022 | Abstract | pp. 187-210

This article analyzes, through a comparative approach, a frontier narrative, John Filson’s “The Adventures of Col. Daniel Boon” (1784), in relation to selected medieval chivalric romances from an ecocritical perspective, exploring the way in which medieval patterns have been employed in the American mythopoeic process, especially in relation to the frontier and the wilderness myths. In fact, medievalist narratives have been often employed to justify an anthropocentric, expansionist, and imperialistic agenda with grievous consequences on the way in which Americans engage with nature and with nonhuman species. At the same time, this tendency is often accompanied by an androcentric and ethnocentric rhetoric, contributing to the marginalization from dominant national discourses of significant sections of the population due to their race and gender. For this reason, attention will be also given to how attitudes toward the nonhuman can reflect and bear an impact on those toward other humans. By investigating how narratives develop, evolve, and circulate across time and space, it becomes possible to reveal the harmful logic they carry, and stress the importance of shifting the narrative in the direction of more sustainable intra- and inter-species relations.

2022-12-31



Journal: Review of International American Studies

A New Opening: Presidential Address for the 11th World Congress of the IASA, Katowice, Poland, 7-10 September 2023

Paweł Jędrzejko

Language: EN | Published: 28-08-2023 | Abstract | pp. 5-14

The article opening the present issue is based on Paweł Jędrzejko's "Presidential Address" prepared for the audiences of the 11th World Congress of the International American Studies Association. Offering an insight into the most recent transformations of the IASA and of its journal, the Review of International American Studies, the author of the text pays homage to scholars, whose committment has proven instrumental for the development of the Organization itself, but also for the standing of the RIAS, which enjoys the status of a ranking periodical. The article, essentially historical in its assumptions, indicates the need of the adjustment of the Organization's bylaws to account for the changing academic reality in which it now functions.  

2023-08-28



Journal: Review of International American Studies

Mending Wall? The War over History in South Korea

Sangjun Jeong

Language: EN | Published: 30-06-2018 | Abstract

Sangjun Jeong
Seoul National University
South Korea

Mending Wall?
The War over History in South Korea

Abstract: Until Korea was divided into North and South in 1945, it had maintained its territorial unity on the Korean peninsula for well over 1,000 years. Then, two young US officers drew an arbitrary line along the 38th parallel. Developing into a heavily militarized zone only several years later, ironically called the De-Militarized Zone (DMZ), that division has lasted for decades and into the present. Recently, several symbolic acts were performed in the zone and innovative plans were suggested to make the land strip into a peace park as a symbol of ideological reconciliation and ecological paradise. Yet to many Koreans, the zone is still inscribed as a wall permanently bisecting the peninsula not only physically but also culturally.  Through an analysis of Robert Frost’s poem “Mending Wall,” this article contemplates the divisions within South Korean society over the North –South divide as a war over the telling of history. This history, however told, must be understood alongside the sentiment of han, a Korean word loosely defined as frustration, anger, and sadness, something that has been shaped by centuries of suffering from wars, invasions, colonization, injustice, and exploitation. 

Keywords: Korean Peninsula, Political Divisions, History, War, Demilitarized Zone

2018-06-30



Journal: Review of International American Studies

"What activism can learn from poetry": Lyric Opacity and Drone Warfare in Solmaz Sharif’s LOOK

Keegan Cook Finberg

Language: EN | Published: 15-06-2022 | Abstract | pp. 69-87

The essay explores whether concealing humanness or emphasizing humanness is a more effective strategy for anti-drone activism that seeks to disrupt the conventional epistemologies of militarized surveillance. Building on Édouard Glissant’s decolonizing philosophy of relation and more recent theories of gender and surveillance such as Rachel Hall’s notion of “animal opacity,” the essay argues that poetry is one place we might find an answer to what seems like a binary problem of seeing versus unseeing humanity in technologically mediated aerial warfare. I illustrate that the 2016 poetry collection LOOK by Solmaz Sharif intervenes to suggest activism that steers readers away from the logics of recognition and toward the ethical potential of concealment. LOOK garners formal elements from lyric and experimental poetry traditions to employ a strategy of resistance-looking based in multiple valences of opacity.multiple valences of opacity.

2022-06-15



Journal: Review of International American Studies

Snapshots: On the Value of Photo/Sensitivity

Paweł Jędrzejko

Language: EN | Published: 31-12-2022 | Abstract | pp. 5-18

The article offers an comparative insight into two, parallel, narratives concerning a nautical event: one visual, and one verbal.  The argument is based on the juxtaposition of Robert Cushman Murphy's photographic rendition of the so-called Nantucket sleigh ride (the stage of a whale hunt, in which the harpooned animal, attempting to flee his oppressors, tows the whaleboat behind him) with his description of the same phenomenon, which he included in his diary A Logbook for Grace. Whaling Brig Daisy 1912–1913 (first published only in 1947). The reflections stemming from the analysis concern the importance of the Barthesian punctum in the context of the interpretive power of the image, which, ultimately, leads to conclusions concerning the significance of emotions in the hermeneutic process of filling the spots of indeterminacy. Ultimately, the article demonstrates how, through his glass lantern images, Robert Cushman Murphy offers his audiences the “realist” truth, employing “modernist means” to “romantically” emulate the emotions. 

2022-12-31



Journal: Review of International American Studies

JAPONISME AND MODERNIST STYLE IN AFRO-CARIBBEAN LITERATURE: THE ART OF DEREK WALCOTT

Anita Patterson

Language: EN | Published: 01-06-2007 | Abstract

TO BE ADDED

2007-06-01



Journal: Review of International American Studies

Cosmopolitanism, Translocality, Astronoetics: A Multi-Local Vantage Point

Gabriela Vargas-Cetina , Manpreet Kaur Kang

Language: EN | Published: 31-12-2020 | Abstract | pp. 29-38

The world in which we live is crisscrossed by multiple flows of people, information, non-human life, travel circuits and goods. At least since the Sixteenth Century, the Americas have received and generated new social, cultural and product trends. As we see through the case studies presented here, modern literature and dance, the industrialization of food and the race to space cannot be historicized without considering the role the Americas, and particularly the United States, have played in all of them. We also see, at the same time, how these flows of thought, art, science and products emerged from sources outside the Americas to then take root in and beyond the United States. The authors in this special volume are devising conceptual tools to analyze this multiplicity across continents and also at the level of particular nations and localities. Concepts such as cosmopolitanism, translocality and astronoetics are brought to shed light on these complex crossings, giving us new ways to look at the intricacy of these distance-crossing flows. India, perhaps surprisingly, emerges as an important cultural interlocutor, beginning with the idealized, imagined versions of Indian spirituality that fueled the romanticism of the New England Transcendentalists, to the importance of Indian dance pioneers in the world stage during the first part of the twentieth century and the current importance of India as a player in the race to space. 

2020-12-31



Journal: Review of International American Studies

Where Stories Are Alive: Traveling into Wolverine’s Territory in Eowyn Ivey’s "To The Bright Edge of the World"

Małgorzata Poks

Language: EN | Published: 30-12-2024 | Abstract | pp. 71-82

In 1885 Lieutenant Colonel Forrester explores the newly acquired territory of Alaska for the US government. His passion to see an unknown world clashes with the mission Forrester has received from his military superiors.
How will he meet the dual challenge—as well as the moral dilemma—of navigating an older world that resists comprehension—a world he learns to respect—and mapping the terrain for potential military invasion?
My analysis will thus attempt to foreground the manifold paradoxes of travel/narratives. Loosely based on Lieutenant Henry Tureman Allen’s historic exploration of the Tanana and Copper rivers, Ivey’s novel departs significantly from historical accuracy in order to bring the colonizing agenda of the government-sponsored exploration party into conversation with the individual perspectives and sensibilities of its members, exposed as they are to a world where old stories are alive and where nonhumans or not-quite humans are all agential
beings. Employing anthropologist Viveiros de Castro’s theorization of Amerindian perspectivism, I want to argue that To the Bright Edge of the World decolonizes the genre of travel narratives as well as the experience of travelling between worlds.

2024-12-30



Journal: Review of International American Studies

NOS MARES DAS TRADUÇÕES, NOS MARES DAS TRAIÇÕES: Leminski, os diálogos com a cultura estrangeira e questões de poética e identidade

Márcio Roberto do Prado

Language: EN | Published: 15-05-2016 | Abstract

[For English, scroll to the bottom of the page]

Márcio Roberto do Prado 
Universidade Estadual de Maringá-UEM
Maringá
Paraná
Brasil

"NOS MARES DAS TRADUÇÕES, NOS MARES DAS TRAIÇÕES:  Leminski, os diálogos com a cultura estrangeira e questões de poética e identidade"

Quando pensamos em Paulo Leminski (1944–1989), um dos aspectos que se destacam é sua relação com línguas e culturas estrangeiras, seja por meio de traduções especificamente concebidas e praticadas no âmbito literário, seja por conta de um diálogo cultural mais amplo que determinou rumos e possibilidades em sua produção artística e que contribuiu para o estabelecimento de uma persona literária que se confundia perigosa e provocativamente com o homem empírico. Deste modo, o presente artigo pretende, por meio de uma visão panorâmica de algumas de suas obras e de seu diálogo com a Poesia Concreta brasileira, tecer algumas considerações a respeito das propostas e das consequências desse projeto de Leminski, percebido ao longo de sua carreira. Ao fim, o que se verá é a (re)afirmação de uma obra viva que, por meio de traduções e traições de e para o Outro, ajuda-nos a compre ender a natureza e a herança da literatura brasileira na segunda metade do século XX (especialmente no caso da lírica), com consequências e lições que continuam válidas para os dias de hoje. 

Palavras-chave: Leminski; poesia concreta; tradução; cultura brasileira.

"In the seas of translations, in the seas of betrayals: Leminski, the dialogues with a foreign culture and questions about poetics and identity"

 

When we think of Paulo Leminiski (1944–1989) and of his artistic ‘signature’, it is his peculiar relation with the foreign languages and cultures that comes to the fore as one of the most important aspects of his work: an aspect determining his uniqueness. It manifests itself in his originally conceived translations and in his literary work in general—and, arguably, is traceable back to the wide cultural dialogue, to which Leminski was profoundly committed. His participation in that dialogue would both determine the directions of his development and open new possibilities affecting his artistic production, thus contributing to the establishment of his literary persona that would often, dangerously and provocatively, be confused with his empirical self. This paper aims to offer a panoramic view of some of Leminski’s works in the context of his dialogue with Brazilian Concrete Poetry in order to shed some light upon his lifelong projec in terms of his intellectual propositions and their consequences, or, less specifically, his expressive experiences collected throughout his career. In conclusion, the argument underlying this article leads to the (re)affirmation of Leminski’s living art, that, through translations/betrayals of the Other and for the Other, grants one an insight into the nature of Brazilian literature (and especially Brazilian lyrical poetry) of the first half of the 20th century. Leminski’s work provides his reader with an ideal point of departure to understand the cultural legacy of Brazil, whose turbulent history offers lessons that never lose validity.

Keywords: Concrete poetry; translation; Brazilian culture, Paulo Leminski

2016-05-15



Journal: Review of International American Studies

Images to Remember: Nostalgia and Hegemonic Identities in Italia 90: The Movie

Bértold Salas-Murillo

Language: EN | Published: 31-12-2022 | Abstract | pp. 109-127

The reconstruction of the past and memory is examined in the feature film Italia 90: The Movie (2014) by Miguel Gómez, which depicts the first participation of a Costa Rican team in a World Cup. The analysis includes the narrative, visual, and sound operations with which the past and memory are recreated (... or created), as well as the ways in which the story involves the viewers, particularly those who remember the episode. It is explained that, although the story resorts to certain topics of sports cinema, it is presented more as an adventure of the community, which would eventually include an entire country, and favors the exploration of the intimate over the epic. Italia 90: The Movie appeals to nostalgia, through recognizable images and sounds, as well as figures anchored in the hegemonic Costa Rican imaginary (such as the “common peasant”), to narrate an episode that, in addition to being central in the history of sports in Costa Rica, it is among the events that symbolically mark the country's entry into the globalized world.

2022-12-31



Journal: Review of International American Studies

“Where Butchers Sing Like Angels,” Of Captive Bodies and Colonized Minds (With a Little Help from Louise Erdrich)

Małgorzata Poks

Language: EN | Published: 16-08-2020 | Abstract | pp. 123-144

The Master Butchers Signing Club – Louise Erdrich’s “countehistory” (Natalie Eppelsheimer) of the declared and undeclared wars of Western patriarchy–depicts a world where butchering, when done with precision and expertise, approximates art. Fidelis Waldvogel, whose name means literally Faithful Forestbird, is a sensitive German boy turned the first-rate sniper in the First World War and master butcher in his adult life in America. When Fidelis revisits his homeland after the slaughter of World War II, Delphine, his second wife, has a vision of smoke and ashes bursting out of the mouths of the master butchers singing onstage in a masterful harmony of voices. Why it is only Delphine, an outsider in the Western world, that can see the crematorium-like reality overimposed on the bucolic scenery of a small German town? Drawing on decolonial and Critical Animal Studies, this article tries to demystify some of the norms and normativities we live by.  

2020-08-16



Journal: Review of International American Studies

“Travelers by necessity” - Ruth Behar on the Way in Search of Roots or Home

Grażyna Zygadło

Language: EN | Published: 27-06-2024 | Abstract | pp. 53-65

Ruth Behar, a Cuban-born immigrant to the US with Polish, Jewish, and Turkish background, begins her memoir Travelling Heavy. A Memoir In Between Journeys, published in 2013, with the following citation “I love to travel. But I’m also terrified of traveling” (3). Later she describes the “various good luck rituals” that she performs before starting a journey such as checking if she has her “Turkish evil eye bracelet,” “a handmade necklace […] to be protected from illness or sudden death” or “rubbing the turquoise glass beads to keep the plane from falling out of the sky” (3). She links all these habits to both her Jewish and Cuban ancestry. And although she calls herself a professional traveler, she also describes herself as a “an anthropologist who specializes in homesickness,” which perfectly reveals the contradictions related to the notion of travelling. As a relatively new phenomenon, available and affordable to few, travelling can be an exciting, desired and adventurous experience that opens us up to diversity and enriches us. At the same time since it involves meeting with the Other it can be a threatening and exhausting incident that causes nostalgia for home. Hence, the journey is an existential experience including the change, the philosophical exploration of oneself, search for and dissemination of knowledge, and a sense of discovery (actual of places and communities and symbolical of cultural values and ideas). In this paper I am going to analyze Behar’s writings as narratives representing fictitious fragments of experienced or/and imagined realities (Letters from Cuba 2020) vs. non-fictional dimension of memoir or travel writing (Travelling Heavy 2013). Still, what joins the two types of narratives is the issue of memory – how/what do we remember? How are our memories changing depending on time and person we relate them to?

2024-06-27



Journal: Review of International American Studies

The Rebel Behind the Wheel: An Examination of the ‘Redneck’ Rebel Cultural Trope in The Dukes of Hazzard

John Eric Starnes

Language: EN | Published: 19-12-2021 | Abstract | pp. 89-102

The heyday of ‘Redneck’ cinema—the 1970s to early 1980s, saw the rise of the Redneck Rebel—a Southern or otherwise ‘hick’ anti-hero who rode around the countryside like a modern-day cowboy vanquishing evil. His ‘horse’ was his car—a beefed up/souped up muscle car that often became the star of the show and overshadowed the anti-hero himself. This article examines the Redneck Rebel through the lens of one American TV series—The Dukes of Hazzard. This popular 1980s TV series, along with its antecedents and contemporaries, underscore several important points that reinforce typical conservative American virtues: freedom, fighting the ‘good fight,’ an overt heterosexuality, a particular reveling in a sarcastic ‘sticking out the tongue’ at the overly sophisticated, overly arrogant, ‘anti-American,’ and well-heeled parts of American society.

2021-12-19



Journal: Review of International American Studies

Visualizing the Other: Media Representations of Nina Khrushcheva During the Khrushchevs' State Visit to the United States in 1959

Mariya Doğan

Language: EN | Published: 01-05-2024 | Abstract | pp. 143-159

The gender discourse had an important role in the ideological confrontation between the United States and the Soviet Union and proved to be an effective weapon of the Cold War. In American imagination, the image of a Soviet woman became an epitome of ‘the other’ which both personified the threat of communism and eased domestic anxieties about rigid gender roles in the post-war US. However, the Cold War was not a homogeneous process. The period from the mid-1950s to the early 1960s referred to as the Khrushchev Thaw, was characterized by attempts of peaceful coexistence between the two superpowers culminating in Khrushchev’s visit to the United States in September 1959. Nina P. Khrushcheva, the wife of the first secretary of the Communist Party, became the first high-rank communist woman to tour the United States with an official visit. The American press took this opportunity to humanize the image of a woman from the other side of the iron curtain and, consequently, defuse tensions on the international stage. Khrushcheva’s visit became a turning point in constructing the image of Soviet femininity, introducing a stereotype of different but not intimidating womanhood. Despite the fact that the fragile hopes for peace between the Western and Eastern Blocs were shattered soon after Khrushchev’s visit, the popular rhetoric of the Soviet femininity was transformed. The present article analyzes the shift in the Soviet gender codes presented in the American newspapers, and puts them into historical context to show how international policies can gain human face in the press.

2024-05-01



Journal: Review of International American Studies

Of Cannibals and Witches: Monstrosity and Capitalism at the Onset of Colonial Visual Culture

Gustavo Racy

Language: EN | Published: 31-12-2022 | Abstract | pp. 71-94

This article provides preliminary insight into the creation of colonial visual culture. Using visual examples, the author shows how the encounter between European and Amerindian was, at first, apparently deprived of moral judgement, later being increasingly signified through moral and physical monstrosity, especially the female body, which served as an apparatus to assure colonial dominion. Looking mostly at the works of Liègeois artist Theodor de Bry, the author shows how increasing female protagonism may have helped to coin a proper visual culture that mirrored the development of productive force in early capitalism. Assuming that the European colonizer in the fifteenth and sixteenth centuries was still highly informed by Medieval culture, the author quickly retraces how the New World was imagined through cartography, following to the first depictions of the Amerindian and, finally, focusing on de Bry’s work and an argument on capitalism and how visual culture may help us understand its process.

2022-12-31



Journal: Review of International American Studies

Pandemic Automobility. Patterns of Crisis and Opportunity in the American Motor Culture

Tomasz Burzyński

Language: EN | Published: 19-12-2021 | Abstract | pp. 143-156

This article traces the recursive character of automobility from a perspective of cultural crises and traumas that accompany motor culture development in the USA. The American automobility system has been caught in the treadmill of ideological criticism that defined the current role of motor vehicles in forms of political activism and cultural criticism. The ongoing Covid-19 pandemic is different as it seems to bring restoration to the original character of motor culture with its defining features of individualism, freedom, and opportunity achieved through mobility.

2021-12-19



Journal: Review of International American Studies

Empire of Ruins: American Culture, Photography, and the Spectacle of Destruction by Miles Orvell

(A Book Review)

Julia Faisst

Language: EN | Published: 28-08-2023 | Abstract | pp. 319-326

Julia Faisst's review of Miles Orvell's Empire of Ruins: American Culture, Photography, and the Spectacle of Destruction

2023-08-28



Journal: Review of International American Studies

Between Suspicion and Love. Reality, Postcritique, and Euro-American Modernization (An Introduction to the Debate)

Mena Mitrano

Language: EN | Published: 31-12-2020 | Abstract | pp. 185-208

The essay introduces major tenets in the current debate on postcritique, focusing especially on the widespread rejection of symptomatic reading in literary studies and on the rejection of rupture as both a modernist and theoretical model for the conception of the new. Further, it presents theory as a phase of Euro-American modernization. Finally, it outlines a wider, more dynamic concept of critique, understood as a movement of intellectual—and geographical—displacements.

2020-12-31



Journal: Review of International American Studies

Car Painting in America: Edward Hopper's Vision of the Road

Ewa Wylezek-Targosz

Language: EN | Published: 19-12-2021 | Abstract | pp. 75-88

The article presents an analysis of three paintings by one of the greatest American realist painters, Edward Hopper. The three selected works share a common denominator: they all address the concept of a car and the influence it has on the nation’s life—it has altered the way people traveled and expressed their identity. A car in Hopper’s works serves a twofold function, it allows its drivers and passengers to experience the land more as they can travel wherever they desire but, on the other hand, it contributes to a separation from their environment as the journey involves fragmentariness and rootlessness. 


2021-12-19



Journal: Review of International American Studies

Lacrosse – It’s a Way of Life, dir. Lívia Šavelková, Tomáš Petráň and Milan Durňak, Global Lacrosse Village/Lakrosová vesnice, dir. Lívia Šavelková and Milan Durňak, On the Shore/Na Břehu, dir. Lívia Šavelková and Milan Durňak

(Film Reviews)

Zuzanna Kruk-Buchowska

Language: EN | Published: 28-08-2023 | Abstract | pp. 313-317

Review of: Lacrosse – It’s a Way of Life (2014), directed by Lívia Šavelková, Tomáš Petráň and Milan Durňak, Global Lacrosse Village/Lakrosová vesnice (2015), directed by Lívia Šavelková and Milan Durňak, and On the Shore/Na Břehu (2022), directed by Lívia Šavelková and Milan Durňak

2023-08-28



Journal: Review of International American Studies

The Tragedy of a Whistleblower. Adamczewski’s Tragic Protest and the Case of Chelsea Manning

Monika Koltun

Language: EN | Published: 16-08-2020 | Abstract | pp. 215-233

Bringing most carefully guarded secrets into light, political whistleblowers deconstruct the essential oppositions upon which superpower ideologies are founded: they draw popular attention to what has been relegated to the margins of the dominant discourses. Torpedoing the reputations of the most powerful organizations in the world, and well aware of the inevitability of retaliation, they put themselves in a most precarious position. Fighting against impossible odds in the name of the greater good, facing the gravity of the consequences, they become heroes in the classical sense of the word: arguably, their dilemmas are not unlike those faced by Antigone, Hamlet and other iconic figures in history, literature and mythology. Such is the central premise of this article. The methodological frame for the analysis of the material in this study has been adopted from Zygmunt Adamczewski’s The Tragic Protest, whose theory, bringing together classical and modern approaches to tragedy, allows for the extrapolation of the principles underlying the protest of such iconic figures as Prometheus, Orestes, Faust, Hamlet, Thomas Stockman or Willy Loman to discourses outside the grand narratives of culture. His theory of the tragic protest serves as a tool facilitating the identification of the features of a quintessential tragic protester, which Adamczewski attains by means of the study of the defining traits of mythological and literary tragic heroes. It is against such a backdrop that I adapt and apply Adamczewski’s model to the study of materials related to Chelsea Manning in search of parallels that locate her own form of protest in the universal space of tragedy.

2020-08-16



Journal: Review of International American Studies

Legacies of Resistance: Emerson, Buddhism, and Richard Wright’s Pragmatist Poetics

Anita Patterson

Language: EN | Published: 29-12-2023 | Abstract | pp. 159-176

Emerson’s affinity with Buddhism has been the source of much controversy, and his adaptation of the doctrine translated as Buddhist “indifference” has been construed as stifling resistance to social injustice. I will revisit this topic, explaining why Emerson figures so prominently in discussions of Buddhism by the philosopher D. T. Suzuki and the British scholar R. H. Blyth, in order to develop a context for analyzing modes of resistance in Richard Wright’s late haiku-inspired poetry. A central question raised in critical debates is whether or not Wright turns away in these poems from the social and political concerns of his earlier works. I will show that their significance and force as protest poetry is considerably stronger when regarded in light of Wright’s “tough-souled pragmatism” and an Emersonian pragmatist tradition elaborated by scholars such as Cornel West, James Albrecht, and Douglas Anderson, a tradition characterized by East-West intercultural exchange that includes John Dewey and Ralph Ellison. Contextualized and enriched by this tradition, the poem Wright selected out of the 4000 to open his collection, “I am nobody,” can be read as alluding to Ellison’s allusion to Emerson in Invisible Man, protesting what Dr. Martin Luther King Jr. would some years later memorably describe as “a degenerating sense of ‘nobodiness’” in his celebrated “Letter from Birmingham City Jail.” I will conclude with a brief consideration of how Wright’s creative engagement with Buddhism in the work of T. S. Eliot illuminates Emerson’s vastly neglected contribution to the development of high modernism.

2023-12-29



Journal: Review of International American Studies

Collaborative Futures: Arts Funding and Speculative Fictions

J. D. Schnepf

Language: EN | Published: 31-12-2020 | Abstract | pp. 145-157

According to scholars of literary sociology, US arts institutions—from the federal government to the writers’ colony to the creative writing program—have been central to the shaping of US literature for the better part of a century. This paper offers a preliminary investigation of the global crowdfunding platform Kickstarter as an emerging arts institution. Drawing on Kim Stanley Robinson and Marina Abramović’s artistic collaboration as a case study, the paper argues that the appearance of the Marina Abramović Institute (MAI) in Robinson’s novel New York 2140 troubles the author’s stated generic commitments to “realist speculative fiction”—fiction that bases its vision of the future on the state of things in our present. In addition to furnishing uncertain conditions of production for the novel, Kickstarter’s funding model solicits short-form speculative fiction organized around neoliberal selfhood from its artists. With the assistance of Kickstarter’s networked platform, the MAI’s capital campaign reimagined private funding as public performance art, as dutiful civic engagement, and as reward for artists willing to narrate entrepreneurial optimism.


2020-12-31



Journal: Review of International American Studies

Black Flag under a Grey Sky. Forms of Protest in Current Neo-Confederate Prose and Song

John Eric Starnes

Language: EN | Published: 16-08-2020 | Abstract | pp. 159-181

Abstract: While ‘tragic’ protest and protest songs are normally conceived of as originating on the political left of American culture, in recent years protest from the political right, specifically the racist right has flown under the cultural radar of most researchers of American studies. This article strives to explore the ways in which the neo-Confederate movement is currently protesting the state of cultural, political, and social affairs in the contemporary American South. The neo-Confederate movement is one of the oldest forms of ‘conservative’ protest present in the United States, originating out of the defeat of the Confederacy and the civic religion of the ‘Lost Cause’ of the last decades of the 1800s into the first three decades of the 1900s. Since the neo-Confederate movement is both revolutionary and conservative, it is possible to derive some valuable insights into the contemporary reactionary politics of the right by examining a brief sampling of the protest songs, novels and essays of this particular subculture.

2020-08-16



Journal: Review of International American Studies

From Superhighway to Hyperreality: The Infrastructure of "Astral America"

Maxime McKenna

Language: EN | Published: 27-06-2024 | Abstract | pp. 139-150

During a series of road-trips undertaken in the 1970s and 1980s, the French theorist Jean Baudrillard encountered an American West that had become a laboratory of hyperreality. In his observations about “Astral America,” Baudrillard claims the perspective of an outside observer, but he exhibits a fascination for the space of the road that is characteristically American, if not at-times stereotypically so, begging the question: what is the link between postmodern theory and automobile infrastructure? This article uses Cotten Seiler’s concept of the “apparatus of automobility” (2008) to interrogate the material and discursive relations between Baudrillard’s Amérique (1986; trans. 1988) and the period in the history of American automobility in which it emerges. Just as the Interstate Highway was solidifying the private car’s supremacy, the OPEC oil embargo brought the petroleum-powered, auto-mobile ideal of the good life into crisis, opening intellectual inroads for thinking the U.S.’s hyperreal self-production while aboard the nation’s superhighways. Baudrillard's classic work of travelogue-theory invites an infrastructural account of the postmodern moment that would situate concepts from French theory and their uptake in the American academy within a context of transnationally mediated transport infrastructures.

2024-06-27



Journal: Review of International American Studies

“Down Beside where the Waters Flow": Reclaiming Rivers for American Studies (Introduction)

Manlio Della Marca , Uwe Lübken

Language: EN | Published: 30-09-2021 | Abstract | pp. 13-24

Over the past three decades, rivers have become a fascinating and popular subject of scholarly interest, not only in the field of environmental history, where river histories have developed into a distinct subgenre, but also in the emerging field of environmental humanities. In this scholarship, rivers have often been reconceptualized as socio-natural sites where human and non-human actors interact with the natural world, generating complex legacies, path dependencies, and feedback loops. Furthermore, rivers have been described as hybrid “organic machines,” whose energy has been utilized by humans in many different ways, including the harvesting of both hydropower and salmon. Indeed, as several environmental historians have noted, in many regions of the world, watercourses have been transformed by technology to such an extent that they increasingly resemble enviro-technical assemblages rather than natural waterways. Rivers have also been discussed through the lens of “eco-biography,” a term coined by Mark Cioc in his influential monograph on the Rhine River, a book informed by “the notion that a river is a biological entity—that it has a ‘life’ and ‘a personality’ and therefore a ‘biography’.” Quite surprisingly, despite this “river turn” (to use Evenden's phrase), rivers have played a marginal role in recent American Studies scholarship. To address this gap, this issue of RIAS brings together scholars from different disciplines, countries, and continents to analyze a wide variety of river experiences, histories, and representations across the American hemisphere and beyond. Hence the title of this volume, Rivers of the Americas, should be seen as both an allusion to the Rivers of America book series (a popular series of sixty-five volumes, each on a particular US river, published between 1937 and 1974) and as a reminder of the still untapped potential of hemispheric, transnational, and comparative modes of critical engagement with rivers in American Studies.

2021-09-30



Journal: Review of International American Studies

The Canada/US Border: An International Boundary as Continental Cross-Section

Nathaniel R. Racine

Language: EN | Published: 30-06-2025 | Abstract | pp. 5-19

This Editor’s Note opens the present issue of RIAS through a meditation on the Canada-US border not simply as a line of division but as a dynamic cross-section—one that can reveal the entangled geographies, cultures, and histories of North America. Drawing insight from across the disciplines of geography, literature, history, and environmental studies, it proposes the east-west border as a methodological lens through which to apprehend regional continuities and local specificities alike. Exploring a number of examples, the essay considers the border as simultaneously separating and connecting the two countries, paying special attention to vernacular landscapes that defy simplistic geopolitical readings. The essay further considers the symbolic and contested role of the Haskell Free Library and Opera House in Vermont, recently politicized by US authorities, as a lived space of permeability and intercommunity resilience. Ultimately, the border emerges here as a site where the global and the local, the political and the personal, intersect— offering a uniquely instructive vantage point on the interdependent realities of modern North America.

2025-06-30



Journal: Review of International American Studies


The Beats in Mexico by David Stephen Calonne (A Book Review)
Nathaniel R. Racine
Language: EN | Published: 03-06-2024 | Abstract | pp. 157-162
The Beats in Mexico (2022) by David Stephen Calonne is reviewed here in terms of its contribution to the larger body of academic studies that explore the representation of Mexico in US literature. Calonne's study distinguishes itself by emphasizing the importance of overlooked female writers among the Beat generation, including Bonnie Bremser, Joanne Kyger, and Margaret Randall, who appear alongside more familiar names such as Allen Ginsberg and Jack Kerouac. In doing so, Calonne expands the discussion of the Beats in important ways and, furthermore, offers a welcome contribution that enriches the conversation around the understanding (and misunderstanding) of Mexico by US writers and intellectuals. Given the continued tensions between the two countries, it should be of great topical interest as well.
2024-06-03



Journal: Review of International American Studies

Feminist Conspiracies, Security Aunties, and Other Surveillance State Fictions

Patricia Stuelke

Language: EN | Published: 15-06-2022 | Abstract | pp. 51-68

This article investigates two recent fictional representations of the feminized US surveillance state and its “security feminists” (Grewal), with an eye towards limning what visions of social transformation and political life such representations make possible. It first examines Gish Jen’s 2020 novel The Resisters, considering how the novel’s characterization of the US surveillance state as a snoopy suspicious Aunt maintains American liberal fantasies about the value of productive work and institutionally-sanctioned responses to state violence, even as the novel attempts to find grounds for reinvigorating a democratic commons. Jeff Vandermeer’s 2021 novel Hummingbird Salamander, in contrast, is suspicious of democratic visions of the social. Instead, the novel unravels the privatized figure of the “security mom” (Grewal) in order to experiment with how a queer antisocial orientation might confront environmental and institutional collapse and reimagine the idea of “security” itself.

2022-06-15



Journal: Review of International American Studies

The Case for a Native American 1968 and Its Transnational Legacy

György Tóth

Language: EN | Published: 23-12-2019 | Abstract | pp. 49-70

Partly as a result of compartmentalized academic specializations and history teaching, in accounts of the global upheavals of 1968, Native Americans are either not mentioned, or at best are tagged on as an afterthought. “Was there a Native American 1968?” is the central question this article aims to answer. Native American activism in the 1960s was no less flashy, dramatic or confrontational than the protests by the era’s other struggles – it is simply overshadowed by later actions of the movement. Using approaches from Transnational American Studies and the history of social movements, this article argues that American Indians had a “long 1968” that originated in Native America’s responses to the US government’s Termination policy in the 1950s, and stretched from their ‘training’ period in the 1960s, through their dramatic protests from the late 1960s through the 1970s, all the way to their participation at the United Nations from 1977 through the rest of the Cold War. While their radicalism and protest strategies made Native American activism a part of the US domestic social movements of the long 1960s, the nature of American Indian sovereignty rights and transnationalism place the Native American long 1968 on the rights spectrum further away from civil rights, and closer to a national liberation struggle—which links American Indian activism to the decolonization movements of the Cold War.

2019-12-23



Journal: Review of International American Studies

AMERICAN LITERATURE AND THE AMERICAN EMPIRE: From Political Fiction to Faction to Fact

Peter Swirski

Language: EN | Published: 01-03-2013 | Abstract

TO BE ADDED

2013-03-01



Journal: Review of International American Studies

Contextualizing Anti-Vaccination Movements. The Covid-19 Trauma and the Biomedicalization Crisis in the United States

Tomasz Burzyński

Language: EN | Published: 29-12-2023 | Abstract | pp. 89-104

The paper outlines a sociological perspective on the healthcare system in the United States from a perspective of biomedicalization processes. Methodologically, the argument pays its intellectual debts to the American tradition in the sociology of health and illness in which problems of healthcare and individual well-being are discussed in the functionalist context of axiological and normative regulation. Our article focuses on the biomedicalization crisis as a consequence of the Covid-19 pandemic. The outbreak is conceptualized as a trigger of structural tensions already implicit in the American system of biomedicalized healthcare. Rather than focusing on the political polarization of the US society in the wake of the outbreak, the paper sees the pandemic in terms of ‘cultural trauma’ and related political conflicts which threaten to destabilize the discourse and organization of healthcare in the United States. The salient role in this process is attributed to anti-vaccination movements which abuse the pandemic situation to subvert the principles of biomedicalization. In the case of the Covid-19 pandemic, anti-vaccination movements are disseminating misinformation and anti-vaccination sentiments, effectively channeling the public’s dissatisfaction with the implemented methods of crisis management and undermining the pivotal principles of biomedicalization.   

2023-12-29



Journal: Review of International American Studies

Bharatanatyam as a Transnational and Translocal Connection: A Study of Selected Indian and American Texts

Manpreet Kaur Kang

Language: EN | Published: 31-12-2020 | Abstract | pp. 61-86

Bharatanatyam is a classical dance form derived from ancient dance styles, which is now seen as representative of Indian culture. In India, it is the most popular classical dance form exerting a great impact not only on the field of dance itself, but also on other art forms, like sculpture or painting. The Indian-American diaspora practices it both in an attempt to preserve its culture and as an assertion of its cultural identity. Dance is an art form that relates to sequences of body movements that are simultaneously aesthetic and symbolic, and rooted in specific cultures. It often tells a story. Different cultures observe different norms and standards by which dances should be performed (as well as by whom they should be performed and on what occasions). At the same time, dance and dancers influence (and are influenced by) different cultures as a result of transcultural interactions. Priya Srinivasan’s Sweating Saris: Indian Dance as Transnational Labor is a particularly valuable source wherein its author critically examines a variety of Indian dance forms, especially Bharatanatyam, tracing the history of dance as well as the lived experience of dancers across time, class, gender, and culture. With the help of this text, selected journal articles, and interviews with Bharatanatyam dancers in India and the US, I explore larger issues of gender, identity, culture, race, region, nation, and power dynamics inherent in the practice of Bharatanatyam, focusing on how these practices influence and, in turn, are influenced by transnational and translocal connections.

 

2020-12-31



Journal: Review of International American Studies

Travel and the Self in Maggie Shipstead's The Great Circle

Elisa Pesce

Language: EN | Published: 28-06-2024 | Abstract | pp. 123-138

This article presents travel as the nexus between the two protagonists of Maggie Shipstead’s The Great Circle (2021): aviator Marian Graves, whose passion for flight and physical travels double as, and intensify, an inner journey of self-discovery, and Hadley Baxter, a contemporary Hollywood actress who interprets Marian in a biopic and, through this experience, identifies with her, expanding her consciousness and constructing herself as woman. Marian and Hadley have similar, tragic family histories and, despite living a century apart, are both subject to the violence and constraints of a patriarchal society that deprives women of agency and condemns the transgression of gender roles. Consequently, the novel deploys multiple forms of travel and travel writing to ask what it means to be a woman in the United States and explore the contribution of physical and metaphorical journey to the discovery of the self, other people and the world.  While close in scope to canonical male travel narratives, I argue that The Great Circle juxtaposes different stories (Marian’s logbook, a novel and a biography based on it, and Hadley’s movie) and, therefore, different accounts of Marian’s life, to raise questions about the very possibility of knowing anything or anybody. The novel simultaneously denounces women’s objectification by presenting both Marian and Hadley as public figures constructed by others: Marian’s logbook is fictionalised and published without her consent, while Hadley exists only in the characters that she plays and the image that the tabloids project of her. Shipstead’s ambiguous use of the symbolism of the circle further complicates the novel’s epistemological inquiry by betraying expectations about continuity and closure. All circles and journeys in the novel remain open-ended and merge with one another, connecting people and experiences across space and time.

2024-06-28



Journal: Review of International American Studies

Introduction: Culture, Politics, and the Canada-US Border

Jasmin Habib , Jane Desmond

Language: EN | Published: 01-02-2025 | Abstract | pp. 25-48

In this thematic issue of RIAS, we address a number of issues about the border, drawing on perspectives from multiple disciplines in the social sciences and humanities, from anthropology to political science, economics, and literature, and including the works of scholars based in Canada, the US, and Germany. Their works engage issues of Indigeneity, Africandescendant populations, Franco-Canadians, Gender and Race, Colonialisms, and the more-than-human world. Topics include hunting, cross-border Indigenous relations, treaties, oil protests, immigration, domestic workers, historical memory, creative fiction, and the notions of borders as textures, zones, lines, connections, and cultural imaginaries. Our emphasis on combining social science and humanities approaches is essential to this work. Much previous work on the Canada-US border has tended to focus either on political/legal issues or on literary/media studies. Instead, we strive instead to bring multiple disciplinary perspectives into conversation and include artistic/visual
work. This volume thus contributes to a broader project than one that would center on nationalist interests—either the US or Canada’s—and rather brings to the study of bordering practices and border theory a continental approach, one that attends to the places and spaces that are and/or become the border.

2025-02-01



Journal: Review of International American Studies

Czech Sacred Places in Texas as the Key Element for Preserving Czech Identity

Lukáš Perutka

Language: EN | Published: 28-08-2023 | Abstract | pp. 115-142

The process of Czech and Moravian immigration to Texas is a well-known phenomenon. Since 1848, tens of thousands decided to cross the ocean to seek a better future in the “Lone Star state.“ Although their history is well documented, there are still themes to be explored. Their religious activity and the connection it has created with their metropolis is one of them. The church and its institutions sent priests to America to attend to the immigrants in their mother tongue and helped them preserve their cultural identity. Furthermore, they organized the construction of their sacred places that would remind the parishioners of their home country. One example could be the famous painted churches still present in Texas today.

This topic has not received proper attention from historians because it requires studying sources on both sides of the Atlantic. The presented contribution tries to change this unflattering fact using the microhistorical approach. Its aim is threefold. First, explain the historical dimension of the religious connection between the Czech and Moravian immigrants in Texas with their metropolis. Second, describe the sacred places of the immigrants, how they were built, what role they played in their everyday life, and how they established a bond with their country of origin. Third, what importance did the sacred places of the Czechs and Moravians have in preserving their language and cultural identity? The microhistorical approach demands the use of various and fragmented sources, and this study will be no exception. It will use archive material from Austria and the Czech Republic, principally the funds of the religious organizations that supported the immigrants in Texas, such as the Leopoldine Society. Furthermore, the article will use published contemporary personal recounts and secondary literature. The content of these sources will be critically analysed to answer the research questions and hopefully contribute to the theme of religion and its invaluable role in an immigrant society.

2023-08-28



Journal: Review of International American Studies

Knights Across the Atlantic: The Knights of Labor in Britain and Ireland by Steven Parfitt

(A Book Review)

György Tóth

Language: EN | Published: 09-09-2019 | Abstract | pp. 151-156

György Tóth's review of Steven Parfitt's Knights Across the Atlantic: The Knights of Labor in Britain and Ireland. Studies in Labour History, 7. Liverpool
University Press, 2016.

2019-09-09



Journal: Review of International American Studies

JAPONISME AND THE MODERNIST STYLE in Afro-Caribbean Literature: the Art of Derek Walcott

Anita Patterson

Language: EN | Published: 01-03-2012 | Abstract

TO BE ADDED

2012-03-01



Journal: Review of International American Studies

Human Body, Existence, and Design: An Insight into Yellapragada SubbaRow’s Philosophy

Avani Bhatnagar

Language: EN | Published: 29-12-2023 | Abstract | pp. 119-139

In his eponymous poem, Robert Frost conceptualizes design as a fundamental aspect of human existence, exploring the interplay between life’s grand forces and the underlying philosophical structure of existence. This notion is paralleled in the human body, viewed as a living embodiment of design, encompassing both external appearance and internal complexity. Biomedical science, particularly significant during the pandemic, has reshaped our comprehension of the human body, influencing lifestyle and societal perceptions. Yellapragada SubbaRow, an Indian-born American biochemist, made groundbreaking contributions to medical science, including the development of methotrexate for cancer treatment, the application of folic acid in prenatal care, and the creation of a versatile antibiotic. These advancements, alongside the pandemic-induced shift in societal outlook, have altered the approach to human health and wellness. In the context of the COVID-19 pandemic, which has drawn the world’s attention to the ethical and aesthetic dimensions of biomedical practice, SubbaRow’s contributions may serve as excellent exemplars of integrating scientific innovation with philosophical inquiry, advocating for an approach that harmonizes scientific rigor with ethical integrity to foster civilizational progress. The study contends that design transcends mere tools and structures, embodying the fusion of human perception and intellect, which drives creativity and innovation essential for human evolution. Through examining SubbaRow’s philosophy, this article seeks to elucidate the post-pandemic paradigm shift in human existence and its ethical implications.

2023-12-29



Journal: Review of International American Studies

Introduction

Molly Geidel , J. D. Schnepf

Language: EN | Published: 15-06-2022 | Abstract | pp. 17-29

The recent intensification of gendered surveillance in the United States underscores how surveillance technologies continue to abet criminalization domestically while enabling the US to renew orientalist narratives of rescue with respect to its military interventions abroad. Building on the 2015 Feminist Surveillance Studies volume edited by Rachel E. Dubrofsky and Shoshana Amielle Magnet, this issue seeks to make a number of new interventions in the study of surveillance and gender. First, it calls for the incorporation of scholarship that approaches the US-led war on terrorism through the lens of gender and sexuality to develop a more refined understanding of how surveillance practices and contemporary imperial imaginaries overlap and inform one another. Second, it reconsiders the frame of carceral feminism by unpacking some of the assumptions around “carcerality” and “feminism.” Finally, it builds on the premise that existing black feminist scholarship has for some time theorized surveillance’s relation to gendered oppression. To do so, it considers how critical framings of hypervisibility and invisibility help us make sense of the racialized, gendered forms of surveillance deployed across the decades: from the mid-twentieth-century national security state to the contemporary neoliberal postfeminist regimes of the twenty-first century.

2022-06-15