The The Land of Heathens versus the Land of Liberty. Mark Twain’s The Innocents Abroad and Ubeydullah Efendi’s Travels
Abstract
Mark Twain’s (1835-1910) literary travelogue, The Innocents Abroad (1869), remarks on and/or subverts previously established interpretations of places and objects. Twain’s adopted persona allows him to assume the double role of a fool and an intellectual, simultaneously, by deploying a peculiar type of humor. By openly distaining and emphasizing certain aspects of his travel experiences, Twain’s narrator seems naïve on one hand, but a savvy social critic on the other. Twain’s account of İstanbul (Constantinople) streets, drinking Turkish coffee, and Turkish bath experience become farcical descriptions of the Ottoman Empire. His choice of words—such as “the rustiest old barn in heathendom”—also confirms his ideological viewpoint of Ottoman lands. Unlike Twain, Ubeydullah Efendi (1858-1937), who travels in the opposite direction, to the United States from the Ottoman Empire, paints a positive picture of American urban life. He spends most of his time at the Chicago World’s Fair of 1893, which he describes in detail. One could argue that since the Ottoman Empire was on the cusp of becoming the Turkish Republic, Ubeydullah Efendi’s descriptions of his American voyage were naturally written in a progressive tone. Yet, a closer inspection reveals subtle criticism, as well as an awareness of how others viewed him as an Ottoman gentleman. Thus, his portrayals do not stem from internalized Orientalism; rather, they are the result of informed observations based on his cultural experiences. Both Mark Twain’s and Ubeydullah Efendi’s journalistic travel accounts to each other’s countries cannot be separated from the ideological and rhetorical dimensions of the era’s travel writing. This presentation will focus on both narrators’ approach and gaze in a comparative manner. While Twain portrays Ottoman lands in a hostile or condescending manner, with descriptors such as “filthy,” “brutish,” “ignorant,” or “unprogressive,” Ubeydullah Efendi’s accounts are not so one dimensional. Twain’s peculiar humor and narrative attitude were obviously influenced by the political events of the time, and his views were tainted by his orientalist approach. Conversely, Ubeydullah Efendi’s straightforward depictions, and occasional humor, are connected to his personality and offer a far more realistic portrayal of late nineteenth-century America.
Keywords
Mark Twain; Ubeydullah Efendi; The Innocents Abroad; Orientalism; travel writing
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Hacettepe University Turkey
https://orcid.org/0000-0002-7730-6601
Prof. S. Bilge Mutluay Çetintaş is a faculty member of the Department of American Culture and Literature, Hacettepe University, Ankara, Türkiye. Her areas of interest include American folk music, cultural studies, literary theory and criticism, contemporary American novel, and life writing. She has published several journal and book articles on related subjects and presented papers in international conferences. She has also edited
and served on editorial and advisory boards of academic journals including the departmental journal, The Journal of American Culture and Literature of Hacettepe University (1993–2001), Interactions (2005–2021), and Journal of American Studies of Turkey (2007, 2008, 2022). Her published monograph is titled Geçmişin Öyküleri, Öykülerin Geçmişi: Çağdaş Amerikan Romanlarında Tarihin Sorgulanması (The Stories of the Past, The Past of the Stories: Questioning History in Contemporary American Novels). She received a Fulbright scholarship and conducted research on contemporary American women’s life writing at the University of Michigan, Ann Arbor during the academic year 2010-2011. Currently she is working on a book project on autographics by American women artists/writers.
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