The Beats in Mexico by David Stephen Calonne (A Book Review)

Nathaniel R. Racine
https://orcid.org/0000-0003-1431-8629

Abstract

The Beats in Mexico (2022) by David Stephen Calonne is reviewed here in terms of its contribution to the larger body of academic studies that explore the representation of Mexico in US literature. Calonne's study distinguishes itself by emphasizing the importance of overlooked female writers among the Beat generation, including Bonnie Bremser, Joanne Kyger, and Margaret Randall, who appear alongside more familiar names such as Allen Ginsberg and Jack Kerouac. In doing so, Calonne expands the discussion of the Beats in important ways and, furthermore, offers a welcome contribution that enriches the conversation around the understanding (and misunderstanding) of Mexico by US writers and intellectuals. Given the continued tensions between the two countries, it should be of great topical interest as well.


Keywords

Beat Generation; Mexico in Literature; book review; David Steven Calonne

Calonne, David Stephen. The Beats in Mexico. Rutgers UP, 2022.

- - -. The Spiritual Imagination of the Beats. Cambridge UP, 2017

Delpar, Helen. The Enormous Vogue of Things Mexican: Cultural Relations between the United States and Mexico, 1920-1935. U of Alabama P, 1992.

Gunn, Drewey Wayne. American and British Writers in Mexico, 1556-1973. U of Texas P, 1974.

Noakes, Susan. “The Rhetoric of Travel: The French Romantic Myth of Naples.” Ethnohistory 33.2 (1986): 139-148. https://doi.org/10.2307/481770

Porter, Katherine Anne. Outline of Mexican Arts and Crafts. Young & McCallister, 1922.

Robinson, Cecil. Mexico and the Hispanic Southwest in American Literature. U of Arizona P, 1977.

Sheldon, Glenn. South of Our Selves: Mexico in the Poems of Williams, Kerouac, Corso, Ginsberg, Levertov and Hayden. McFarland, 2004.

Download

Published : 2024-06-03


RacineN. (2024). The Beats in Mexico by David Stephen Calonne (A Book Review). Review of International American Studies, 17(1), 157-162. https://doi.org/10.31261/rias.17572

Nathaniel R. Racine  nathaniel.racine@tamiu.edu
Texas A&M International University  United States
https://orcid.org/0000-0003-1431-8629

Nathaniel R. Racine is an assistant professor of English in the Department of Humanities at Texas A&M International University in Laredo, Texas. He holds a PhD in English from Temple University in Philadelphia and a professionally-accredited Master’s degree in Urban Planning from McGill University in Montréal, Canada. In 2018-2019 he was a Fulbright Postdoctoral Scholar to Mexico. His recent work draws from the fields of geography and urbanism to understand the cultural exchange between the US and Mexico from the interwar period through midcentury.






Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

The Copyright Holder of the submitted text is the Author. The Reader is granted the rights to use the material available in the RIAS websites and pdf documents under the provisions of the Creative CommonsAttribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Any commercial use requires separate written agreement with the Author and a proper credit line indicating the source of the original publication in RIAS.

  1. License

The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY 4.0 license (http://creativecommons.org/licenses/by/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY 4.0 license.

  1. Author’s Warranties

The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.

If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution - By the same conditions 4.0 International".

ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).

  1. User Rights

Under the Creative Commons Attribution license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.

  1. Co-Authorship

If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.

I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.