Introduction: On the Concept of Journeying

Beata Gontarz
https://orcid.org/0000-0002-5302-8010
Anna Maj
https://orcid.org/0000-0003-3958-267X

Abstract

The plethora of existing concepts of journeying, as explored by the authors of articles collected in the present issue of RIAS, reveals the multifaceted nature of travel, irreducible to physical mobility alone. Despite their differences, all forms of travel share common elements, including leaving home, facing risks, stepping out of comfort zones, and encountering logistical challenges, which renders journeying a significant component of existential experience. Involving aporetic encounters with the unfamiliar, travels allow for the deconstruction of stereotypes, offering not only opportunities for the revision of ossified perspectives, but also opening space for philosophical self-exploration. Literature and visual culture throughout different eras have captured these insights, from travel diaries and reports to cartographic works, paintings, photographs, and modern digital media such as travel vlogs and virtual reality. These records reflect the multidimensionality of the “truth” of their times, testifying to the material reality of a given time and place, but also revealing cultural prejudices and the particularities of the dominant discourse of the time. The authors of the texts in this volume reconstruct historical worlds, uncovering new aspects of literature and cultural artifacts, and offering fresh perspectives on travel and journeys as depicted in literary and visual narratives of the Americas since the Spanish Conquest until the first decades of the 21st-century.


Keywords

RIAS; introduction; journey; travel; travel writing; the Americas; media; narratives; images; identity

Download

Published : 2024-06-27


GontarzB., & MajA. (2024). Introduction: On the Concept of Journeying. Review of International American Studies, 17(1), 29-35. https://doi.org/10.31261/rias.17577

Beata Gontarz 
University of Silesia in Katowice  Poland
https://orcid.org/0000-0002-5302-8010

Beata Gontarz is an Associate Professor and Director of the Institute of Culture Studies at the University of Silesia in Katowice, Poland. Her areas of interest include discourses of personal documents, the correspondence between literature and visual arts, representations of individual and group experiences of history, identity discourse in individual and collective perspectives, and the axiological aspects of modern culture.  

Selected publications:

  1. Jan Józef Szczepański’s Questions about the Meaning of Faith. Based on Dziennik (Journal). “Sensus Historiae” 2020, no. 3, pp. 97-111.
  2. Krytyka kultury w PRL-u. Na podstawie „Dziennika” Jana Józefa Szczepańskiego [Culture criticism in the People’s Republic of Poland. On the basis of Jan Józef Szczepański’s “Diary”], In: PRL-owskie re-sentymenty, eds.: Alicja Kisielewska, Monika Kostaszuk-Romanowska, Andrzej Kisielewski. Wydawnictwo Naukowe Katedra, Gdańsk 2017, pp. 149-167.
  3. Obrazy świata. Wizualne reprezentacje rzeczywistości w polskiej prozie współczesnej [Images of the world. Visual representations of reality in modern Polish prose]. Wydawnictwo Uniwersytetu Śląskiego, Katowice 2014, 320 pages. ISBN 978-83-8012-052-5.
  4. Literackie reprezentacje historii. Świadectwa – mediatyzacje – eksploracje [Literary representations of history. Testimony — mediatization — exploration] [co-authors: Aleksandra Dębska-Kossakowska, Monika Wiszniowska]. Wydawnictwo Uniwersytetu Śląskiego, Katowice 2013, 261 pages. ISBN 978-83-226-2255-1.
  5. W poszukiwaniu tożsamości – współczesna polska saga rodzinna [In search of identity — a modern Polish family saga]. In: Ku antropologii rodziny, ed. and introd. by Lucyna Rożek. Wydawnictwo Akademii Jana Długosza, Częstochowa 2009, pp. 51–67.

Anna Maj  anna.maj@us.edu.pl
University of Silesia in Katowice  Poland
https://orcid.org/0000-0003-3958-267X

Anna Maj, D.Litt., Ph.D., is a cultural and media studies expert and communicologist. She is an Assistant Professor at the Institute of Cultural Studies at the University of Silesia in Katowice, Poland, and the Past Vice-Director of the Institute (2012–2019). Her main research interests include new media, cyber arts, cultural aspects of the AI, media anthropology, digital memory, communication behaviors in new media, perception theory & user experience, as well as travel narratives and their perceptions. She is the author of two monographs (Media in Travel and Transformations of Knowledge in Cyberculture) and numerous scholarly articles. To date, she has edited nine multi-author monographs on new media communication, digital art, and digital memories (published, respectively, by Brill, Leiden; Rodopi, Amsterdam–New York; and Inter-Disciplinary Press, Oxford). She served as a Member of the CULTMEDIA Academic Board (2022–2023), as a Steering Group Member and Project Leader at Inter-Disciplinary Net (Oxford) (2008–2016), and as an ENABLE Network Member (2012–2013). Additionally, she worked as a Katowice Project Team Member for the ECC 2016 contest, and held the function of the Project Leader responsible for the organization of multiple conferences on new media, art, and technology, including the New Media Days in Katowice, Digital Arts at Oxford University, and recently, in 2023, the New Media Perspectives at the Silesian Museum, University of Silesia, and Academy of Fine Arts in Katowice.






Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

The Copyright Holder of the submitted text is the Author. The Reader is granted the rights to use the material available in the RIAS websites and pdf documents under the provisions of the Creative CommonsAttribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Any commercial use requires separate written agreement with the Author and a proper credit line indicating the source of the original publication in RIAS.

  1. License

The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY 4.0 license (http://creativecommons.org/licenses/by/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY 4.0 license.

  1. Author’s Warranties

The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.

If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution - By the same conditions 4.0 International".

ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).

  1. User Rights

Under the Creative Commons Attribution license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.

  1. Co-Authorship

If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.

I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.