https://doi.org/10.31261/rias.16634
This paper analyzes some of the recent literature of the War on Terror—such as Elliot Ackerman’s aptly titled memoir Places and Names (2019) and Phil Klay’s ironically named novel Missionaries (2020)—and explores the spatial dynamics, cultural encounters, and dislocations caused by the series of interrelated conflicts that have characterized the first two decades of the twenty-first century. In doing so, I argue that these narratives highlight the spatially and temporally indefinite nature of the so-called Global War on Terror by portraying displaced civilians and by negating the traditional journey of the soldier, who is instead depicted as incessantly searching for a home in the next war. Using Achille Mbembe’s characterization of contemporary warfare as characterized by war machines (theorized by Gilles Deleuze and Félix Guattari in A Thousand Plateaus) I highlight the way in which war zones are portrayed as the economically significant and self-replicating engines of the global network of power and violence that underlies modern warfare. In this context, the characters of these stories are then depicted as nomadic individuals doomed to perpetually look for their metaphorical home, war itself, across the globe, travelling from one warzone to the next and constituting the threads of a web of smaller conflicts that take place simultaneously, in a seemingly never-ending cycle, around the world.
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Vol. 17 No. 2 (2024)
Published: 2024-12-31
10.31261/RIAS
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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