WORKS CITED
Agrasánchez, Jr., Rogelio. Mexican Movies in the United States: A History of the Films, Theaters
and Audiences, 1920-1960. Jefferson, NC: McFarland, 2006.
Berg, Charles Ramírez. Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983.
Austin: University of Texas Press, 1992.
_____. The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films.
Austin: University of Texas Press, 2015.
Borge, Jason. Latin American Writers and the Rise of Hollywood Cinema. New York and
London: Routledge, 2008.
Burton-Carvajal, Julianne. “South American Cinema.” In World Cinema: Critical Approaches,
Ed. John Hill and Pamela Church Gibson. Oxford: Oxford University Press. 194-210.
Carreras, María Elena de las and Jan-Christopher Horak, eds. Hollywood Goes Latin:
Spanish-Language Cinema in Los Angeles. Los Angeles: FIAF, 2019.
D’Lugo, Marvin, Ana M. López, and Paula Podalsky. “Introduction: Troubling Histories.” In
The Routledge Companion to Latin American Cinema. Ed. Marvin D’Lugo, Marvin, Ana
M. López, and Paula Podalsky New York: Routledge, 2018. 1-14.
“Drácula asombrará a México en los cines ‘Monumental’ y ‘Teresa’.” El Universal. April
9, 1931, 6.
“Drácula hoy en los cines ‘Monumental’ y ‘Teresa’.” Excélsior. April 8, 1931, 6.
Green, Doyle. Mexploitation Cinema: A Critical History of Mexican Vampire, Wrestler, Ape-
Man, and Similar Films, 1957-1977. Jefferson, NC: McFarland, 2005.
Jarvinen, Lisa. The Rise of Spanish-Language Filmmaking: Out from Hollywood’s Shadow,
1929-1939. New Brunswick, NJ: Rutgers University Press, 2012.
López, Ana M. “Are All Latins from Manhattan? Hollywood, Ethnography and Cultural
Colonialism.” In Mediating Two Worlds: Cinematic Encounters in the Americas. Ed.
John King, Ana López, and Manuel Alvarado. London: BFI, 1993. 67-80.
Rhodes, Gary D. “Fantasmas del cine Mexicano: The 1930s Horror Film Cycle of Mexico.” In
Fear without Frontiers: Horror Cinema across the Globe. Ed. Steven Jay Schneider Godalming, U.K.: Fab Press, 2003. 93-103.
Rhorer, Seraina. La India María: Mexploitation and the Films of María Elena Velasco. Austin:
University of Texas Press, 2017.
Skal, David J. Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen.
Revised edition. New York: Faber and Faber, 2004.
_____. The Monster Show: A Cultural History of Horror. New York: Norton, 1993.
Vega Alfaro, Eduardo de la. Fernando Méndez. Guadalajara, Mexico: Universidad de
Guadalajara, 1995.
Wilt, David. “Mexican Vampire Cinema: A Brief History.” YouTube (5-part video series):
https://www.youtube.com/watch?v=Of0guKkS-lc
https://www.youtube.com/watch?v=FyyCHxAEPv0&t=5s
https://www.youtube.com/watch?v=Y0-ImL7i2j8
https://www.youtube.com/watch?v=BaN0rHhhuhE
https://www.youtube.com/watch?v=Qew6JJpR128
Google Scholar