https://doi.org/10.31261/pp_sot.2026.01.03
The article analyses the translation strategies employed by Jalu Kurek in his translations of Aldo Palazzeschi’s poetry, with particular attention to the problem of rendering comic and ludic effects. It begins with a discussion of the specificity of Palazzeschi’s humour and a brief reflection on the translatability of poetic comicity. Drawing on selected poems such as Chi sono?, Fontana malata and Rio Bo, the article demonstrates the heterogeneous and selective nature of Kurek’s approach to formal experimentation, rhythm and sound. It also presents the author’s own proposals for alternative translation solutions, which help to highlight the comic potential of the originals. The conclusions indicate that comicity in Palazzeschi’s poetry is not an untranslatable category, but rather one that requires conscious and creative formal decisions on the part of the translator.
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2026
Published: 2026-06-23
10.31261/PP_SoT
Język Polski
Русский
English