Mestizaje y expresiones culturales identitarias en Latinoamérica. Una reflexión sobre el costumbrismo del siglo XIX, la música tradicional y la música pop
Abstract
Español
La ilustración costumbrista del siglo XIX en Colombia se concentró en la representación de las expresiones culturales nacionales. Desde el análisis iconográfico de dos ilustraciones representativas, realizadas por Ramón Torres Méndez en ese periodo, identificaremos elementos que sirvieron para la construcción de una identidad cultural. Los elementos que conforman dichas expresiones, sin embargo, son el resultado de una mezcla de otras formas de expresión cultural; europeas, americanas y africanas. Este mestizaje, siempre presente, se extiende hasta nuestros días y se puede apreciar en manifestaciones más contemporáneas como el pop, en particular, el movimiento del rock en español en la década de 1990.
English
The costumbrista illustration of the 19th century in Colombia, after independence, focused on the representation of national cultural expressions. From the iconographic analysis of two representative illustrations, made by Ramón Torres Méndez in that period of time, it is possible to identify elements that contribute to the construction of a cultural identity. The elements that make up these expressions, however, are the result of a mixture of other forms of cultural expression, namely European, American, and African. This miscegenation, always present, extends even today and can be seen in more contemporary manifestations such as pop, in particular, of which is the key focus of this article.
Keywords
Music; Identity; Post-colonialism; Culture; Miscegenation; Música; Mestizaje; Decolonial; Identidad; Cultura
References
Aterciopelados. Portada de El Dorado. Sony BMG, 1994.
Café Tacvba. Re. Warner Music, 1994
Davis, Richard. “Technical Requirements of the Score.” Complete Guide to Film Scoring. Berklee Press, 1998.
Garcia, Maria Concepción. “Artesanos y Artistas En Iberoamérica Del Siglo XVI Al XVIII.” Revelaciones. Las Artes En América Latina 1492–1820, 2007.
Gruzinski, Serge. “Mezclas y Mestizajes.” El Pensamiento Mestizo, 2000.
Guillet, Bertrand. Gualdé, Krystel. Exposición A Bordo de Un Navío Esclavista, La Marie-Séraphique, 2018, https://www.banrepcultural.org/exposiciones/a-bordo-de-un-navio-esclavista-la-marie-seraphique/acerca-de. Accedido en 10 Oct. 2022.
Lander, Edgardo. La Colonialidad Del Saber. CLACSO, 1992.
Mignolo, Walter. “La Herida Colonial y La Opción Decolonial.” La Idea de America Latina/The Idea of Latin America. GEDISA, 2007.
Osuna, Maria Isabel. La Guitarra En La Historia. Alpuerto, 1983.
Pérez, María Cristina. “Rutas Terrestres: La Producción, El Mecenazgo y El Movimiento Local de Imágenes.” Circulación y Apropiación de Imágenes Religiosas En El Nuevo Reino de Granada, Siglos XVI–XVIII, 2016.
Polimeni, Carlos. Bailando Sobre Los Escombros. Biblos, 2001.
Sánchez, Efrain. Ramón Torres Méndez, Pintor de La Nueva Granada, 1809–1885. Fondo Cult. Cafetero, 1986.
Sullivan, Edward. “La Mano Negra: Notas Sobre La Presencia Africana En Las Artes Visuales de Brasil y El Caribe.” Revelaciones Las Artes En América Latina 1492–1820, Fondo De Cultura Economica, 2007.
Torres Mendéz, Ramón. El bambuco, Bogotá; litografía Iluminada. Colección de arte del Banco de la República, 1860.
Torres Mendéz, Ramón. Baile de campesinos, grabado en aguatinta. Colección de arte del Banco de la República, 1860.
Vega, Carlos. “Mesomúsica: un ensayo sobre la música de todos.” Revista Musical Chilena, vol. 51, no. 188, pp. 75–96.
University of Bogotá – Jorge Tadeo Lozano Colombia
https://orcid.org/0000-0003-4544-0491
Diego Franco is Assistant Professor at University of Bogotá - Jorge Tadeo Lozano University in the Film and Television Program. He holds a Master of Music with an emphasis on sound engineering from Pontificia Universidad Javeriana, a Specialist in Business Management, Services and Music Products from the EAN University, and a Master of Aesthetics and Art History from the Jorge Tadeo Lozano University.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
The Copyright Holder of the submitted text is the Author. The Reader is granted the rights to use the material available in the RIAS websites and pdf documents under the provisions of the Creative CommonsAttribution-ShareAlike 4.0 International License (CC BY-SA 4.0). Any commercial use requires separate written agreement with the Author and a proper credit line indicating the source of the original publication in RIAS.
- License
The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY 4.0 license (http://creativecommons.org/licenses/by/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY 4.0 license.
- Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution - By the same conditions 4.0 International".
ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).
- User Rights
Under the Creative Commons Attribution license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.
- Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.