Architectural Space of Ideas in the Author’s Structures Presented at the Fire Painted Images Art Festival: A Case Study
Abstract
The article is aimed to discuss the place of architecture in the space of ideas. The present work discusses a specific place, the Zaspa housing estate in Gdańsk, and refers to a specific person, namely, the author of artistic installations temporarily exhibited in the Zaspa housing estate. Also, the wider context of the specific situations in which the exhibitions were displayed is presented. The article attempts to answer the question of the importance of the quality of dwelling in the context of the quality of life of city dwellers. The work focuses on the subjective quality of life, identified most often with the feeling of satisfaction with life in its various aspects and with mental well-being. The quality of living, in turn, may be defined as satisfaction with the structure and functioning of the house and its commonly shared surroundings that constitutes the context of such living. The installations exhibited in the Zaspa estate discussed in the following article represent a potential area for activities with which to change the landscape and/or architectural elements of housing estates that refer to the living space. The essence of the research lies in the analysis of the place architecture occupies in a wider context of the intangible spaces. Homes can be perceived in a phenomenological way. It this case, the spaces of the house are inside us, just as we are inside them (Bachelard, 1994).
Keywords
architectural space of ideas; intentional design; housing estate
References
Augé, M. (2011). Nie-miejsca (Roman Chymkowski, Trans.). Warszawa: Wydawnictwo Naukowe PWN.
Bachelard, G. (1994). The Poetics of Space (Maria Jolas, Trans.). Boston: Beacon Press.
Ballantyne, A. (2007). Deleuze & Guattari for Architects. London–New York: Routledge.
Bańka, A. (1997). Architektura psychologicznej przestrzeni życia. Behawioralne podstawy projektowania. Poznań: Print-B.
Basista, A. (2001). Betonowe dziedzictwo: architektura w Polsce czasów komunizmu. Warszawa: Wydawnictwo Naukowe PWN.
Brach-Czaina, J. (1984). Etos nowej sztuki. Warszawa: Wydawnictwo Naukowe PWN.
Chmielewski, J. M., & Mirecka, M. (2007). Modernizacja osiedli mieszkaniowych. Warszawa: Oficyna Wydawnicza Politechniki Warszawskiej.
Chomątkowska, B. (2018). Betonia. Dom dla każdego. Wołowiec: Wydawnictwo Czarne.
Graham, W. (2016). Dream Cities: Seven Urban Ideas That Shape the World. New York: Harper Collins.
Ingarden, R. (1966). Dwuwarstwowa budowa dzieła architektury. In R. Ingarden, Studia z estetyki, vol. 2. Warszawa: Wydawnictwo Naukowe PWN.
Ingarden, R. (1966). Wartości artystyczne i wartości estetyczne. Studia z estetyki (vol. 4). Warszawa: Wydawnictwo Naukowe PWN.
Ingold, T. (2014). Człowiek to czasownik. Autoportret. Pismo o dobrej przestrzeni, 45(1), 4–10.
Jansen, S. J. T., Coolen, H. C. C. H., & Goetgeluk, R. W. (Eds.). (2011). The Measurement and Analysis of Housing Preference and Choice. Dordrecht–Heidelberg–London–New York: Springer.
Królikowski, J. T., (2004). Sztuka architektury – architektura sztuki; Dzieło – fenomen – przestrzeń – obraz świata. Definiowanie Przestrzeni Architektonicznej. Architektura jako sztuka 101(10-A), 79–83.
Kurkowska, A., (2016). Urzeczywistnianie treści w obiekcie architektonicznym. Koszalin: Wydawnictwo Uczelniane Politechniki Koszalińskiej.
Leach, N. (2000). The Anaesthetics of Architecture. Cambridge, MA–London, England: The MIT Press.
Merleau-Ponty, M. (2001). Fenomenologia percepcji. (M. Kowalska, J. Migasiński, Trans.). Warszawa: Fundacja Aletheia.
Niziołek, K. (2015). Sztuka społeczna. Koncepcje – dyskursy – praktyki. Białystok: Wydział Historyczno-Socjologiczny Uniwersytetu w Białymstoku, Fundacja Uniwersytetu w Białymstoku Universitas Bialostocensis.
Rykwert, J. (2013). Pokusa miejsca. Przeszłość i przyszłość miast. (T. Biedroń, Trans.). Kraków: Międzynarodowe Centrum Kultury.
Świtek, G. (2013). Gry sztuki z architekturą. Nowoczesne powinowactwa i współczesne integracje. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika.
Tatarkiewicz, W. (1975). Dzieje sześciu pojęć. Sztuka, Piękno, Forma, Twórczość, Odtwórczość, Przeżycie Estetyczne. Państwowe Wydawnictwo Naukowe.
Welsch, W., (1997). Aesthetics Beyond Aesthetics. In M. Honkanen (Ed.), Aesthetics in practice: XIIIth International Congress of Aesthetics, Lahti Finland August 1–5 1995. Proceedings (pp. 18–37). Helsinki: Lahti Research and Training Centre.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY-SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.
1. License
The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.
2. Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".
ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).
3. User Rights
Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.
4. Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.
