Avisar I.: The Evolution of the Israeli’s Attitude toward the Holocaust as Reflected in Modern Hebrew Drama. “Hebrew Annual Review” 1985, no 9, s. 31–52.
Avisar I.: The Holocaust in Israeli Cinema as a Conflict between Survival and Morality. In: Israeli Cinema. Identities in Motion. Eds. M. Talmon, Y. Peleg. Austin 2011,
s. 152–167.
Avisar I.: The National and the Popular in Israeli Cinema. “Shofar” 2005, Vol. 24, no 1, s. 125–143.
Balf M.: A Voice not Silenced: Holocaust Commemoration in the Kibutz Movement. Tel‑Aviv 2008.
Bartal D.: Living with the Conflict: A Psychological Analysis of Jewish Society in Israel. Jerusalem 2007.
Bartov O.: Kitsch and Sadism in Ka‑Tzetnik’s Other Planet: Israeli Youth Imagine the Holocaust. “Jewish Social Studies, New Series” 1997, Vol. 3, no 2 (Winter), s. 42–76.
Baumel J.T.: In Everlasting Memory: Individual and Communal Holocaust Commemoration in Israel. In: Shaping of Israeli Identity: Myth, Memory and Trauma. Eds.
R. Wistrich, D. Ohana. London 1995, s. 146–170.
Ben‑Shaul N.: Mythical Expressions of Siege in Israeli Films. Lewiston 1997.
Burg B.: Victory over Hitler. Tel‑Aviv 2007.
Burstein J.: Through an American Lens: Dreaming Utopia in Early Israeli Cinema. “Studies in American Jewish Literature” 2010, Vol. 29: A Special Issue in Honor of
Sarah Blacher Cohen, s. 26–39.
Bursztyn I.: Face as Battlefield. Tel Aviv 1990.
Funkenstein A.: Collective Memory and Historical Consciousness. “History and Memory” 1989, Vol. 1, no 1, s. 5–26.
Gross N., Gross Y.: The Hebrew Film. Jerusalem 1990.
Insdorf A.: Indelible Shadows: Film and the Holocaust. Third edition. New York 2002.
Israeli Cinema. Identities in Motion. Eds. M. Talmon, Y. Peleg. Austin 2011.
Kohen N.: Soldiers, Rebels, and Drifters Gay Representation in Israeli Cinema. Detroit 2011.
Konigsberg I.: Our Children and the Limits of Cinema: Early Jewish Responses to the Holocaust. “Film Quarterly” 1998, Vol. 52 (Autumn), s. 7–19.
Langer L.L.: The Holocaust and the Literary Imagination. New Haven 1975.
Ne’eman J.: The Death Mask of the Moderns: A Genealogy of “New Sensibility” Cinema in Israel. “Israel Studies” 1999, Vol. 4, no 1 (Spring,), s. 100–128.
Nurith G.: Motion Fiction: Israeli Fiction in Film. Tel Aviv 1993.
Ofer D.: The Past That Does Not Pass: Israelis and Holocaust Memory. “Israel Studies” 2009, Vol. 14, no 1 (Spring), s. 1–35.
Patek A.: Alija bet w filmie. „Kwartalnik Filmowy” 2010, nr 69, s. 201–213.
Porton R., Shamir Y.: Reframing Anti‑Semitism: An Interview With Yoav Shamir. “Cinéaste” 2009, Vol. 35, no 1 (Winter), s. 50–54.
Segev T.: Siódmy milion. Przeł. B. Gadomska. Warszawa 2012.
Shohat E.: Israeli Cinema: East/West and the Politics of Representation. Second edition. London–New York 2010.
Współczesne kino izraelskie. Red. J. Preizner. Kraków–Budapeszt 2015.
Wydrzyński J.: Izrael. W: Historia kina. T. 3: Kino epoki nowofalowej. Red. T. Lubelski, I. Sowińska, R. Syska. Kraków 2015, s. 1323–1332.
Yablonka H.: Oriental Jewry and the Holocaust: A Tri‑Generational Perspective. “Israel Studies” 2009, Vol. 14, no 1 (Spring): Israelis and the Holocaust: Scars Cry out for Healing, s. 94–122.
Yakira E., Swirsky M.: Post‑Zionism, Post‑Holocaust: Three Essays on Denial, Forgetting, and the Delegitimation of Israel. Cambridge 2009.
Zertal I.: Naród i śmierć. Zagłada w dyskursie i polityce Izraela. Przeł. J.M. Kłoczowski. Kraków 2010.
Google Scholar