Le carnaval des mots dans Les Fleurs bleues de Raymond Queneau

Jean-Yves Laurichesse

Résumé

The aim of the article is to analyse the literary games in Raymond Queneau’s Les fleurs bleues (1965), where a double story is told: that of the duke of Auge and of Cidrolin, the two characters dreaming about each other. The narratives constitute a meditation on History and on human condition. The author plays with the ludic carnivalesque by employing “neo-French”. He plays both with the language, by modifying the ordinary usage, and with single words, which is even more creative. Furthermore, Queneau’s literary games include intertextuality and hypertextuality.


Key words: Double-story, ludic, carnivalesque, inter- and hypertextuality.

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Règles de citation

Laurichesse, J.-Y. Le carnaval des mots dans <i>Les Fleurs bleues</i> de Raymond Queneau. Romanica Silesiana, 4(1). Consulté à l’adresse https://journals.us.edu.pl/index.php/RS/article/view/5746

Vol. 4 (2009)
Publié:


ISSN: 1898-2433
eISSN: 2353-9887

Éditeur
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

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