https://doi.org/10.31261/WSS.2021.05.05
In her article, Christa Bürger interprets the subtitle of Friederike Helene Ungers novel as a protest against the appropriation of a woman’s history, which reduced her life to an embodiment of an ideal of resignation. “The confession, written by herself” takes on the role of a manifesto; it evokes a vision of female alliance, i.e., of a life that is self-determined and situated far from the predominating gender arrangements, and of a language that, through art, is capable of creating a vision of love beyond desire. The article is related to a project of critical literary studies, developed in cooperation with Peter Bürger since the 1970s, examining the displaced tradition of women’s writing.
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No. 5 (2021)
Published: 2021-05-14
10.321261/WSS
English
Język Polski
Deutsch