L’objectif homonormatif de Virginie Despentes <i>Bye Bye Blondie</i>, du texte à l’écran

Audrey Dobrenn

Pubblicato:

V. 8 N. 1 (2013)

L’objectif homonormatif de Virginie Despentes Bye Bye Blondie, du texte à l’écran

Audrey Dobrenn

Abstract

Virginie Despentes’ Homonormative Lens. Bye Bye Blondie, from Text to Screen

When she adapted her novel Bye Bye Blondie for the cinema, Virginie Despentes decided to switch the central heterosexual love story between Gloria and Eric to a homosexual love story between Gloria and Frances. However, she refused to offer another heteronormative lesbian scene. Instead, she tends to bring a homonormative representation of female love to the French mainstream cinema, and develops the systems of a new esthetic. No erotic scene, no representation of the couple according to a feminine/masculine logic, Despentes puts on screen a love story into which no spectator is allowed a voyeuristic glance.

Key words: Despentes, Bye Bye Blondie, homonormative, lesbian cinema.

Scarica file

PDF (Français (France))

Regole di citazione

Dobrenn, A. L’objectif homonormatif de Virginie Despentes <i>Bye Bye Blondie</i>, du texte à l’écran. Romanica Silesiana, 8(1). Recuperato da https://journals.us.edu.pl/index.php/RS/article/view/5864

Riferimenti bibliografici

Despentes, Virginie, 2004 : Bye Bye Blondie. Paris, Le livre de poche.
Google Scholar

Irigaray, Luce, 1977 : Ce sexe qui n’en est pas un. Paris, Éditions de Minuit.
Google Scholar

Mulvey, Laura, 2004 : « Visual Pleasure and Narrative Cinema ». In : Film Theory and Criticism. New York, Oxford University Press.
Google Scholar

Rubin, Gayle, 1975 : « The Traffic in Women : Notes on the “Politican Economy” of Sex ». In : Toward an Anthropology of Women. Rayna R. Reiter (ed.). New York, Monthly Review Press.
Google Scholar

Stanton, Domna, 1980 : Discourses of Sexuality. From Aristotle to AIDS. Ann Arbor, University of Michigan Press.
Google Scholar

Bye Bye Blondie, V. Despentes, avec Emmanuelle Béart, Béatrice Dalle, Soko et Clara Ponsot. France, 2012, comédie, 97 min.
Google Scholar

Gazon maudit, Josiane Balasko, avec Alain Chabat, Josiane Balasko et Victoria Abril. France, 1995, 104 min.
Google Scholar

Le grand journal, Michel Denisot. Diffusé sur Canal + le lundi 19 mars 2012 à 20h35, 20 min.
Google Scholar

Dossier de presse Bye Bye Blondie : http://www.byebyeblondie-lefilm.com/content/telechargements/dossier_de_presse.pdf. Date de consultation : le 22 février 2013.
Google Scholar

V. 8 N. 1 (2013)
Pubblicato:

ISSN: 1898-2433

eISSN: 2353-9887

Editore

Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

Invia testo

L’objectif homonormatif de Virginie Despentes Bye Bye Blondie, du texte à l’écran

Abstract

Audrey Dobrenn

Informazioni