L’objectif homonormatif de Virginie Despentes <i>Bye Bye Blondie</i>, du texte à l’écran

Audrey Dobrenn

Opublikowane:

Tom 8 Nr 1 (2013)

L’objectif homonormatif de Virginie Despentes Bye Bye Blondie, du texte à l’écran

Audrey Dobrenn

Abstrakt

Virginie Despentes’ Homonormative Lens. Bye Bye Blondie, from Text to Screen

When she adapted her novel Bye Bye Blondie for the cinema, Virginie Despentes decided to switch the central heterosexual love story between Gloria and Eric to a homosexual love story between Gloria and Frances. However, she refused to offer another heteronormative lesbian scene. Instead, she tends to bring a homonormative representation of female love to the French mainstream cinema, and develops the systems of a new esthetic. No erotic scene, no representation of the couple according to a feminine/masculine logic, Despentes puts on screen a love story into which no spectator is allowed a voyeuristic glance.

Key words: Despentes, Bye Bye Blondie, homonormative, lesbian cinema.

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Zasady cytowania

Dobrenn, A. L’objectif homonormatif de Virginie Despentes <i>Bye Bye Blondie</i>, du texte à l’écran. Romanica Silesiana, 8(1). Pobrano z https://journals.us.edu.pl/index.php/RS/article/view/5864

Bibliografia

Despentes, Virginie, 2004 : Bye Bye Blondie. Paris, Le livre de poche.
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Bye Bye Blondie, V. Despentes, avec Emmanuelle Béart, Béatrice Dalle, Soko et Clara Ponsot. France, 2012, comédie, 97 min.
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Dossier de presse Bye Bye Blondie : http://www.byebyeblondie-lefilm.com/content/telechargements/dossier_de_presse.pdf. Date de consultation : le 22 février 2013.
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Tom 8 Nr 1 (2013)
Opublikowane:

ISSN: 1898-2433

eISSN: 2353-9887

Wydawca

Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

Prześlij tekst

L’objectif homonormatif de Virginie Despentes Bye Bye Blondie, du texte à l’écran

Abstrakt

Audrey Dobrenn

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