https://doi.org/10.31261/RS.2023.23.08
Juana Doña describes her book Desde la noche y la niebla as a novel-testimony, but not an autobiographical one. This story about her life as a militant in the communist ranks, the Spanish Civil War, and her imprisonment mark the narrative evolution that transgresses any taboo imposed by Francisco Franco’s censorship. Doña relies on her memory and her present self-awareness to remember and decide, respectively, which events are related, and which are silenced; how actions are reaffirmed, and which information is omitted; and how the narrative pronoun changes according to her own life or the collective struggle. The book functions as an individual catharsis, both for the author and the readers. I propose to analyze the writing process of this book as a promotion of justice weapon, following Kimberly Nance’s theory about the ethical decisions made by the author of the testimony and inferring a new role for the reader as a timeless agent in social struggle.
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Vol. 23 No. 1 (2023)
Published: 2024-09-25