https://doi.org/10.31261/pr.20214
In 1995, Jeanne Martha Perreault developed the term “a feminist autography” to describe the interplay of subjectivity, writing, and community in feminist literary works. This study employs it exploring the role of the body and corporeality in contemporary Russophone feminist poetry. Because such poetry is preoccupied with the issue of mediating the female experience through a subjective lens, the paper is mainly focused on how the rhetoric of sincerity is employed in the studied works. The applied understanding of sincerity is based on a simple definition of the term by Lionel Trilling (1972) as “a congruence between avowal and actual feeling,” embedded in the distinction between the inner subjective world and its outer public representation. Drawing on this notion, the study tries to develop a more nuanced understanding of sincerity and its rhetoric by closely analyzing the following poetical texts: Galina Rymbu’s poem Moia vagina (2020), Oksana Vasyakina’s poem shto ia znaiu o nasilii (2019), Lida Yusupova’s poem Mateiuk (2016), and selected fragments from the book Prigovory (2020), selected short poems by Darya Serenko and Yegana Dzhabbarova, and the lyric cycle Devochki bez odezhdy (2020) by Maria Stepanova.
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Vol. 193 No. 1 (2026)
Published: 2026-03-29
10.31261/pr
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Język Polski
Русский
English