Anderegg Michael A., 1979: William Wyler. Boston: Twayne Publishers.
Google Scholar
Byars Jackie, 1991: All that Hollywood Allows. Re-reading Gender in 1950s Melodrama. Chapel Hill: The University of North Carolina Press.
Google Scholar
Chandler Karen Michele, 2002: „Her Ancient Faculty of Silence”. Catherine Sloper’s Ways of Being in James’s Washington Square and Two Film Adaptations. In: Henry James Goes to the Movies. Eds. Susan M. Griffin. Lexington: The University Press of Kentucky.
Google Scholar
Cyrino Monica Silveira, 2005: Big Screen Rome. Malden: Blackwell Publishing.
Google Scholar
Doherty Thomas P., 1999: Pre-code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934. New York: Columbia University Press.
Google Scholar
Eberwein Robert, 2007: Armed Forces. Masculinity and Sexuality in the American War Film. New Brunswick: Rutgers University Press.
Google Scholar
Fitzgerald William, 2001: Oppositions, Anxieties, and Ambiguities in the Toga Movies. In: Imperial Projections: Ancient Rome and Modern Popular Culture. Eds. Sandra R. Joshel, Margaret Malamud, Donald T. McGuire, Jr. Baltimore: Johns Hopkins University Press.
Google Scholar
Green Philip, 1998: Cracks in the Pedestal: Ideology and Gender in Hollywood. Amherst: University of Massachusetts Press.
Google Scholar
Herman Ian, 2015: A Talent for Trouble The Life of Hollywood’s Most Acclaimed Director William Wyler. New York: Phantom Outlaw Editions [e-book].
Google Scholar
Krauss Kenneth, 2014: Male Beauty. Postwar Masculinity in Theater, Film, and Physique Magazines. Albany: State University of New York.
Google Scholar
Leff Leonard J., 2001: The Dame in the Kimono: Hollywood, Censorship, and the Production Code. Lexington: The University Press of Kentucky.
Google Scholar
Madsen Axel, 2015: William Wyler. The Authorized Biography. New York: Open Road Distribution [e-book].
Google Scholar
Miller Gabriel, 2013: William Wyler: the Life and Films of Hollywood’s Most Celebrated Director. Lexington: The University Press of Kentucky.
Google Scholar
Parini Jay, 2015: Empire of Self. A Life of Gore Vidal. New York: Doubleday.
Google Scholar
Porter Darwin, 2014: Pink Triangle: The Feuds and Private Lives of Tennessee Williams, Gore Vidal, Truman Capote, and Famous Members of Their Entourages. New York: Blood Moon’s Babylon LTD [e-book].
Google Scholar
Prime Rebecca, 2014: Hollywood Exiles in Europe. The Blacklist and Cold War Film Culture. New Brunswick: Rutgers University Press.
Google Scholar
Raymond Emilie, 2006: From My Cold, Dead Hands: Charlton Heston and American Politics. Lexington: The University Press of Kentucky.
Google Scholar
Reeser Todd W., 2010: Masculinities in Theory: An Introduction. Malden: Wiley-Blackwell.
Google Scholar
Rivkin Julie, 2002: Prospects of Entertainment. Film Adaptations of Washington Square. In: Henry James Goes to the Movies. Ed. Susan M. Griffin. Lexington: The University Press of Kentucky.
Google Scholar
Sinyard Neil, 2013: A Wonderful Heart. The Films of William Wyler. Jefferson: McFarland & Company, Inc. Publishers [e-book].
Google Scholar
Vidal Gore, 1999: Sexually Speaking: Collected Sex Writings. San Francisco: Cleis Press.
Google Scholar
Winkler Martin M., 2001: The Roman Empire in American Cinema after 1945. In: Imperial Projections: Ancient Rome and Modern Popular Culture. Eds. Sandra R. Joshel, Margaret Malamud, Donald T. McGuire, Jr. Baltimore: Johns Hopkins University Press.
Google Scholar
Wyler William, 2009: Interviews. Ed. Gabriel Miller. Jackson: University Press of Mississippi.
Google Scholar
Wyler William, reż., 1949: Dziedziczka. Scen. Augustus Goetz, Ruth Goetz. Paramount Pictures. Stany Zjednoczone.
Google Scholar
Wyler William, reż., 1959: Ben Hur. Scen. Karl Tunberg, Gore Vidal, Christopher Fry. MGM. Stany Zjednoczone.
Google Scholar
Zimmerman Jacqueline Noll, 2003: People Like Ourselves. Portrayals of Mental Illness in the Movies. Lanham: The Scarecrow Press.
Google Scholar