Published: 2020-11-13

“Build. Demolish! With a creative wave…”. On blood, fire and smoke in the poems of Lech Piwowar

Paweł Majerski Logo ORCID
Section: Essays and Articles
https://doi.org/10.31261/SSP.2020.16.09

Abstract

Lech Piwowar was connected, inter alia, with the Cracow Writers’ Association (1929–1930), with the literary and artistic societies “Litart” (1931–1935) and “Volta” (1935–1937), since 1933 he closely cooperated with the Visual Artists’ Theatre “Cricot” and published in the magazines “Naprzód”, “Gazeta Artystów” and “Tygodnik Artystów”. According to Heronim Michalski, Piwowar was a “keen student” of Tadeusz Peiper, according to Julian Przyboś – he was a “faithful and fanatical” student. The author of this article devoted to Piwowar focuses on his poems employing explosive imagery, motifs of fire and blood, primarily within the current of social, “committed poetics” (e.g. Spring, Build!, or A Beauty’s Funeral recalling the revolutionary Cracow of 23 March 1936), poems with a rhetorical exclamation – a call. They lead to questions about the avant-garde imagination annexing (making more substantive) the proletarian gesture of dissent, an expression of revolt.

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Citation rules

Majerski, P. (2020). “Build. Demolish! With a creative wave…”. On blood, fire and smoke in the poems of Lech Piwowar. Śląskie Studia Polonistyczne [Silesian Journal of Polish Studies], 16(2), 1–17. https://doi.org/10.31261/SSP.2020.16.09

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Vol. 16 No. 2 (2020)
Published: 2010-06-04


ISSN: 2084-0772
eISSN: 2353-0928

Publisher
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

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