Dialog kultur we współczesnym kinie izraelskim. „Klara cudotwórczyni” Ariego Folmana i Oriego Sivana oraz „Cyrk Palestyna” Eyala Halfona

Beata Waligórska-Olejniczak

doi:10.31261/RSL.2017.27.10

Published: 2017-11-30

Vol. 27 (2017)

Dialogue of cultures in contemporary Israeli Cinema. "Saint Clara" ("Clara Hakedosha") by Ari Folman and Ori Sivan and "Circus Palestine" ("Kirkas Palestina") by Eyal Halfon

Beata Waligórska-Olejniczak

Section: Dział główny

https://doi.org/10.31261/RSL.2017.27.10

Abstract

The character of Russian-Jewish immigrant constitutes undoubtedly one of the major figures in Israeli cinema. The aim of the studies is to focus on two contemporary Israeli films, i.e. Saint Clara (Clara Hakedosha, 1996) by Ari Folman and Ori Sivan and Circus Palestine (Kirkas Palestina, 1998) by Eyal Halfon from the point of view of intercultural relationships. The selected texts of culture seem to show both Russian and Jewish culture as dynamic and ambiguous phenomena, which are characterised by a number of paradoxes, polar stereotypes and prejudices. At the same time, however, the cultures turn out to be similar to each other in their continuous inner conflict between striving for freedom and the need of self-restraint.

Keywords:

dialogue of cultures , contemporary Israeli cinema , Ari Folman , Ori Sivan , Eyal Halfon

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Waligórska-Olejniczak, B. (2017). Dialogue of cultures in contemporary Israeli Cinema. "Saint Clara" ("Clara Hakedosha") by Ari Folman and Ori Sivan and "Circus Palestine" ("Kirkas Palestina") by Eyal Halfon. Rusycystyczne Studia Literaturoznawcze, 27, 127–139. https://doi.org/10.31261/RSL.2017.27.10

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Vol. 27 (2017)
Published: 2020-07-15

ISSN: 0208-5038

eISSN: 2353-9674

10.31261/RSL

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Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

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Dialogue of cultures in contemporary Israeli Cinema. "Saint Clara" ("Clara Hakedosha") by Ari Folman and Ori Sivan and "Circus Palestine" ("Kirkas Palestina") by Eyal Halfon

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Beata Waligórska-Olejniczak

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