Medicine Masks of the Iroquois People as Revealed by the False Faces Society
Abstract
Present-day Iroquois are seeking to preserve traditional healing methods. Members of the False Faces Society routinely perform cleansing rituals using Hodo masks. The spiritual significance and proceedings of the rituals were conveyed by the employees of the Iroquois community center (Longhouse) and the fellow tribesmen gathered around these centers. The participants provided information on the ways of acquiring, crafting, invoking, storage, and honoring the sanctified, animated artifact – the mask. The author of the article confronts the current position of the Onondaga Reserve and the Grand River Reserve Iroquois with historical teachings. The elder generation of Indians has maintained their faith in the mystical power of the rituals, while the secularized new generation approaches them with a strong skepticism.
Keywords
healing magic; Iroquois masks; False Faces Society; Hodo; First Nations
References
Bartram J.: Observation on the Inhabitants, Climate, Soil, Rivers, Productions, Animal, and Other Matters Worthy of Notice, Made by Mr. John Bartram, in His Travels from Pennsylvania to Onondaga, Oswego, and the Lake Ontario, in Canada. London, 1743, 1751: Printed from J. Whiston and B. White (reprinted at Geneva, N.Y., 1895).
Beauchamp W.M.: The Iroquois Trail, or Foot-prints of the Six Nations, in Customs, Traditions, and History, in Which Are Included David Cusick’s Sketches of Ancient History of the Six Nations, printed by Fayetteville, N.Y.: H.C. Beauchamp, 1892.
Beauchamp W.M.: Onondaga Customs. “Journal of American Folklore” 1888, Vol. 1(3), pp. 195–203. Manuscript, New York State Library, Albany.
Birket-Smith K.: Function and the False-faces: A Classification of Onondaga Masked Rituals and Themes. “Journal of American Folklore” 1966, Vol. 79(314), pp. 564–580, Manuscript, New York State, Library, The Oneidas.
Converse H.M.: Iroquois Masks. “Buffalo Express,” October 18, 1899.
Converse H.M.: Myths and Legends of the New York State Iroquois, Ed. A.C. Parker. “New York State Museum Bulletin” 1908, Vol. 125. Albany.
Converse H.M.: The Seneca New-Year Ceremony and Other Customs. “Indian Notes” 1930, Vol. 7, pp. 68–86. New York: Museum of the American Indian.
Fenton W.N.: Iroquois Masks: A Living Tradition in the Northeast. In American Indian Art, from and Tradition: An Exhibition Organized by the Walker Art Center, the Indian Art Association, and the Minneapolis Institute of Art, 22 October–31 December, 1972. Minneapolis, 1972b, pp. 42–47.
Fenton W.N.: Masked Medicine Societies of the Iroquois. In Annual Report of the Smithsonian Institution for 1940. Washington, D.C., 1941, pp. 397–430.
Fenton W.N.: Museum and Field Studies of Iroquois Masks and Ritualism. In Exploration and Field Work of the Smithsonian Institution in 1940, pp. 95–100. Washington, D C., 1941c.
Fenton W.N.: An Outline of Seneca Ceremonies at Coldspring Longhouse. In Yale University Publication in Anthropology 1936, Vol. 9, pp. 1–23.
Fenton W.N.: Review: Comments on Certain Iroquois Masks. Joseph Keppler. American Anthropologist 1942a, Vol. 44, pp. 118–119.
Fenton W.N.: Some Questions of Classification, Typology, and Style Raised by Iroquois Masks. In Transactions of the New York Academy of Science, 2d ser., 18. 1956, Vol. 18, pp. 347–357.
Hendry J.: Iroquois Masks and Maskmaking at Ondaga. Anthropological paper no. 74. “Bureau of American Ethnology Bulletin” 1964, Vol. 191, pp. 349–409. Washington, D.C.
Jameson J.: Narratives of New Netherland (Contains Narrative of a Journey into the Mohawk and Oneida Country). Charles Scribner’s Sons, New York 1909, pp. 135–157, 1634–1635.
Josef Niesyto’s website, “A gallery of Iroquois masks.” Fig. 1–14 [accessed: May 5, 2020], http://josefniesyto.org/gallery/5/2/.
Keppler J.: Comments on Certain Iroquois Masks. Contributions from the Museum of the American Indian. Heye Foundation 12, 1941, Vol. 13(4), pp. 1–40.
Lévi-Strauss C.: Drogi masek. Łódź 1985.
McGowan K., Rosse H.: Masks and Demons. Harcourt Brace, New York 1923.
Ritzenthaler R.E.: Iroquois False-face Masks. In Milwaukee Public Museum Publications in Primitive Art 3. pp. 1–71. Milwaukee 1969.
Rogers E.S.: Masks: The Many Faces of Man: An Exhibition Presented by the Division of Art and Archaeology of the Royal Ontario Museum, Toronto 1959.
Tuck J.A: Onondaga Iroquois Prehistory. Syracuse University Press, Syracuse 1971.
Wissler C.: The Lore of the Demon Mask. Natural History, New York 1928, Vol. 28(4), pp. 339–352.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.
1. License
The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.
2. Author’s Warranties
The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.
If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".
ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).
3. User Rights
Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.
4. Co-Authorship
If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.
I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.