Digital technology offers new opportunities to foster decolonial action related to the creation of knowledge. However, the underlying artificial intelligence systems of this technology still bear the marks of a colonial past and are themselves calling for decolonisation. Only the balanced use of the knowledge of the Global South and the Global North will contribute to the creation of multiple knowledge. In this article, the author presents the issues of knowledge decolonisation and then points out the necessity to epistemically reveal the colonising elements present in artificial intelligence.

Sudanese-born Mahmud Muhammad Taha is a fascinating, unorthodox, yet marginal voice in the sociopolitical debate of the Muslim world. This text briefly outlines his biography, involvement, and a synthesis of the key elements of his thought presented in his most important work, The second message of Islam. His reflection on the condition of the Muslim ummah, embedded in a bold interpretation of the sacred sources, continues as part of his legacy, even after the demise of the movement he created.

The article addresses the question of the entanglement of the novel In Desert and Wilderness in the colonial discourse concerning Anglo-Egyptian Sudan. The author presents and analyses several extremely important motifs of imperial narratives reproduced by Henryk Sienkiewicz in his African novel. In addition, he argues for a new critical, commented edition that will allow pupils and students to look at the novel from the perspective of our “dream of colonialism”.

Searching one’s own identity in a foreign culture is one of the indispensable elements of the modern world. The purpose of this paper is to characterize the way in which cinéma de banlieue portrays dominant problems faced by immigrants in everyday life in France. Methodologically, the article is based on the research tools proposed by Manon Grodner and centers around three domains of public discourse, such as democracy, society and laicity. In particular, the focus is on the antagonistic picture of men and women. The research covers the period from 1995, the official date of the beginning of this cinematic movement, to 2019, the year of the release of the film Banlieusards.