https://doi.org/10.31261/CHOWANNA.2023.60-61.14
The presented text is an attempt to show the outline of two methodological strategies: parallaxic praxis and rhizomatic research against the background of the analysis of Lech Witkowski’s book Uroszczenia i transaktualność w humanistyce. Florian Znaniecki: dziedzictwo idei i jego pęknięcia. The considerations carried out are embedded in the paradigm of speculative research derived from critical studies, which, after the stage of unmasking research (done by L. Witkowski), embeds the discourse in the field of post-critical research. I assume that post-critical research allows to affirm the vision of the subject, leading to the initiation of its actions embedded in the space of freedom and recognition. In the cognitive perspective, the aim is also to show the possible application of Znaniecki’s works with emphasis on psychoanalytic roots relat‑
ing to such signifiers as complex, desire/wishes, affect, sublimation, creativity, upbringing or culture. In the interpretive layer, aspects rooted in transmethodology are presented, e.g. creativity, the action of which is revealed in the subject, or for the subject. The construction of the ontological and epistemological dimensions of the text is based on the interpretative tools of Jacques Lacan’s psychoanalysis.
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No. 1-2(60-61) (2023)
Published: 2025-04-23
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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