Intersemiotic Modernism: Matija Ferlin’s Sad Sam Lucky between Poetry and Its Embodiment

Leo Rafolt

doi:10.31261/PLS.2023.13.07

##plugins.themes.libcom.datePublished##: 2023-09-25

Svezak 13 (2023)

Intersemiotički modernizam: Sad Sam Lucky Matije Ferlina između poezije i njezina utjelovljenja

Leo Rafolt

Rubrika: ARTYKUŁY

https://doi.org/10.31261/PLS.2023.13.07

Sažetak

Sad Sam Lucky je solo izvedba koreografa i performera Matije Ferlina, osmišljena u sklopu njegova trajnog neplesnog i nekazališnog konceptualnog projekta Sad Sam, započetog u siječnju 2004. u Amsterdamu, gdje je praizveden prvi dio. Ferlinova predstava donekle je specifična u autorovu opusu, ponajviše zato što nastoji utjeloviti fizički odgovor na djelo slovenskog avangardnog pjesnika Srečka Kosovela (1904—1926), prevodeći ga i transponirajući u isto vrijeme, između jezika i dijalekata (slovenski, hrvatski, istarski i/ili engleski), te između performativnih režima (utjelovljeni odgovor i pseudorecital). Kosovelova ispovjedna poezija, dakle duboka, suvremena, napeta u stilskim slikama, a istodobno gotovo revolucionarna u svojim idejama, izvodi se stoga kao živa stvar jezika, vođena glavnom Ferlinovom idejom — ne raditi kazalište, ne plesati, ne prevoditi, nego intersemiotički utjeloviti Kosovelove stihove i njegova melankolična proročanstva, stvarajući tako formu izrazito fizičkog, burnog i emotivnog pseudoteatra, hommage ovom vrlo jedinstvenom avangardnom autoru.

Ključne riječi:

prijevod , Srečko Kosovel , transpozicija , suvremeni ples

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Rafolt, L. (2023). Intersemiotički modernizam: Sad Sam Lucky Matije Ferlina između poezije i njezina utjelovljenja. Przekłady Literatur Słowiańskich [Prijevodi Slavenskih književnosti], 13, 1–26. https://doi.org/10.31261/PLS.2023.13.07

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Leo Rafolt

lrafolt@gmail.com
https://orcid.org/0000-0002-3388-5074

Ustanova:

Josip Juraj Strossmayer University in Osijek Croatia

Biografski podaci

LEO RAFOLT | graduated and received his PhD in theatre and performance studies at the Faculty of Humanities and Social Sciences, University of Zagreb. He worked at the same Faculty until 2017. Currently he teaches performance studies, cultural theory, and theoretical dramaturgy, as a full professor, at the
Academy of Arts and Culture of Josip Juraj Strossmayer University in Osijek. He has been a guest professor at many European, American, and Asian universities. On several occasions he had fellowships in France, Hungary, Poland, Italy, USA, UK, Slovenia, Norway, Finland, and Japan. He has written more than a hundred articles for encyclopedic and lexical editions and edited several collections of works (Odbrojavanje: antologija suvremene hrvatske drame, 2007; Miljenko Majetić, Između Hekube i Rabbija: dramatološki, teatrološki i ini spisi, 2017; Public Sphere between Theory, Media, and Artistic Intervention, 2019; Joseph Texte, Jean-Jacques Rousseau i ishodišta književnog kozmopolitizma, 2019; Jean-Luc, Jeener, Kazalište na samrti, 2019, Mika Hannula, Juha Suoranta, Tere Vadén, Umjetničko istraživanje: teorije, metode i prakse, 2021; Dubravko
Mataković, monografija, 2023). In addition, he is the author of a number of scientific papers, essays, reviews, critiques, as well as the following books: Melpomenine maske: fenomenologija žanra tragedije u dubrovačkom ranonovovjekovlju (2007), Drugo lice drugosti: književnoantropološke studije (2009), Priučen
na tumačenje: deset čitanja (2011), Odbačeni predmet: između filologije i izvedbe (2017), Tijelo kao glagol: japanski budo, transkulturalne tehnike i trening za izvedbu (2019), Virus in fabula (2021), Preskočene niti (2022), Montažstroj’s Emancipatory Performance Politics: Never Mind the Score (2022), Tijelo nacije:
uvod u japanski budo (2023). For his research he received the State Award for Science (2008), the Annual Award of the Faculty of Philosophy, University of Zagreb (2009), “Judith” Award (2009), and “Zvane Črnja” Award.

Svezak 13 (2023)
##plugins.themes.libcom.datePublished##: 2024-01-10

ISSN: 1899-9417

eISSN: 2353-9763

10.31261/PLS

Nakladnik

Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

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Intersemiotički modernizam: Sad Sam Lucky Matije Ferlina između poezije i njezina utjelovljenja

Sažetak

Ključne riječi:

Leo Rafolt

Informacije