Points of Connection and Separation of the Text and the Play on the Example of Wilde’s and Zadar’s Star-Child

Igor Tretinjak

doi:10.31261/PLS.2024.14.04

##plugins.themes.libcom.datePublished##: 2024-09-06

Svezak 14 (2024)

Točke spajanja i razdvajanja teksta i predstave na primjeru Wildeovog i zadarskog Zvjezdana

Igor Tretinjak

Rubrika: ARTYKUŁY

https://doi.org/10.31261/PLS.2024.14.04

Sažetak

Shvaćajući adaptaciju kao dvosmjeran proces u kojemu izvorni medij i medij adaptacije međusobno djeluju jedan na drugog, u radu se analizira odnos između bajke Zvjezdan Oscara Wildea i lutkarske predstave Zvjezdan Kazališta lutaka Zadar u režiji i adaptaciji Milene Dundov. Dva djela povezuje niz zajedničkih elemenata kojima pristupaju i koje koriste na nekim mjestima slično, no češće različito. Ključ različitosti je, uz razlike u medijima, vremenski, prostorni i posebice društveni kontekst u kojemu je nastala bajka, odnosno lutkarska predstava. Rad analizira sličnosti i posebice razlike između dvaju djela te pokušava uočiti drugi dio dvosmjernog utjecaja — onaj adaptacije na izvor.

Ključne riječi:

Zvjezdan , Oscar Wilde , Kazalište lutaka Zadar , lutkarstvo , adaptacija

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Igor Tretinjak

itreti@gmail.com
https://orcid.org/0000-0001-8766-5520

Ustanova:

Akademija za umjetnost i kulturu u Osijeku Croatia

Biografski podaci

IGOR TRETINJAK | PhD, Lecturer, Academy of Arts and Culture in Osijek, Croatia. Born in 1977 in Zagreb. Graduated from the Faculty of Humanities and Social Sciences in Zagreb with a Master’s degree in Croatian Language and Literature and Informatics in 2005, and in Theatre and Drama in 2010. Defended his doctoral thesis Visual Aspects of Puppetry for Adult in Croatia from the Faculty of Humanities and Social Sciences in Zagreb in 2021. Since 2014, employed at the Academy of Arts in Osijek, Department of Theatre Arts. He was a head of Croatian part in two Creative Europe projects: All Strings Attached: Pioneers of European Puppetry (2015—2017) and EU Contemporary Puppetry Critical Platform. He participated in several international and national scientific conferences, such as “European Definitions of the Puppet Concept and Professional Puppetry Terminology,” “Hvar Theatre Days,” “The Days of Krleža,” “The Days of Ranko Marinković,” and “The Days of Ivo Brešan.” Author of approximately thirty scientific works, editor-in-chief of a scientific monograph Contemporary Puppetry and Criticism (Osijek, 2022), author of a monographic study The Pinklec Phenomenon: From Ritual to Play: First 30 Years of Pinklec Theatre Troop (Čakovec, 2017), editor of Internet magazines kritikaz.com, contemppuppetry.eu and regional platform Od mali(h) nogu, and editor-in-chief of publications of the Academy for Arts and Culture in Osijek.

Svezak 14 (2024)
##plugins.themes.libcom.datePublished##: 2024-12-31

ISSN: 1899-9417

eISSN: 2353-9763

10.31261/PLS

Nakladnik

Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

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Točke spajanja i razdvajanja teksta i predstave na primjeru Wildeovog i zadarskog Zvjezdana

Sažetak

Ključne riječi:

Igor Tretinjak

Informacije