Specyfika świata przedstawionego we współczesnej dramaturgii rosyjskiej. Od ideologicznego huraoptymizmu do umiarkowanej akceptacji i krytycyzmu

Walenty Piłat

Published: 2016-08-21

Vol. 26 (2016)

The specificity of the setting in contemporary Russian drama. From ideological hurrahoptimism to gradual acceptance

Walenty Piłat

Abstract

The article points to the ways of creating the depicted world by the playwrights of the 80s and the 90s of the 20th century. It also indicates the next stages of the development of contemporary Russian drama, referring to the works by, among others, Yevgeni Grishkovetz, Ivan Vyrypaev, and the Presnyakov Brothers.

Keywords:

documentary drama , Mikhail Shatrov , Lyudmila Petrushevskaya , M. Gorbachev’s reforms , Nina Sadur , Nikolay Kolyada , contemporary Russian drama

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Piłat, W. (2016). The specificity of the setting in contemporary Russian drama. From ideological hurrahoptimism to gradual acceptance. Rusycystyczne Studia Literaturoznawcze, 26, 242–249. Retrieved from https://journals.us.edu.pl/index.php/RSL/article/view/14453

Vol. 26 (2016)
Published: 2020-07-15

ISSN: 0208-5038

eISSN: 2353-9674

10.31261/RSL

Publisher

Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

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The specificity of the setting in contemporary Russian drama. From ideological hurrahoptimism to gradual acceptance

Abstract

Keywords:

Walenty Piłat

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