The contemporary ‘face’ of Bruno Schulz is a result of the collaboration between several visions as well as the specific relation between presence and absence. To a large extent, this fact allows the treatment of Schulz’s reconstructed image not as the static whole, but rather as a dynamic and open identity, defined not only by the biographical reconstructions, but also by its fragmentation and incompleteness. One of the questions that the article evokes is, whether absence can serve as a factor in decoding Schulz’s nature.
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Zasady cytowania
Tom 12 Nr 2 (2013)
Opublikowane: 2020-12-16
10.31261/PS_P
English
Język Polski