The article discusses Brazilian production of Sławomir Mrożek’s Tango staged in 1972 in Rio de Janeiro, as well as Polish-Brazilian connections and relationships observed among the artists working on this play. A separate part of the article presents Mrożek’s one-week stay in Rio de Janeiro and his contacts with the Brazilian press. The Polish author turned out to be a difficult interlocutor for Brazilian journalists. The article is based on the materials published in the local newspapers and interviews with the director and the actors.
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Zasady cytowania
Tom 21 Nr 1 (2018)
Opublikowane: 2020-09-03