Epidemic as a More-than-Human Performance

Mateusz Chaberski
https://orcid.org/0000-0002-6490-2340

Abstract

Taking a cue from the anthropause (Rutz et al., 2020), which accompanied the current pandemic of COVID-19, the article posits a new approach to an epidemic as a more-than-human performance. The performance is an action resulting from an entanglement of human and more-than-human agencies, producing effects across
socio-political, economic, and cultural contexts. The approach is an alternative to the dominant epidemic narratives, which view epidemics as phenomena of human public health, neglecting more-than-human agencies in their emergence and prevention. While analyzing chosen (re)presentations of an epidemic in popular culture, the article focuses on three aspects of an epidemic as a more-than-human performance. It scrutinizes the new model of sociality it posits, problematizes hitherto accepted ways of thinking about
human and nonhuman bodies, and projects forms of more-than-human cooperation to manage epidemics.


Keywords

epidemic; science fiction; more-than-human socialities; anthropause; Anthropocene

Adamczewska-Baranowska, Izabella. “Wirusocentryczne narracje reporterskie z nurtu “mrocznej biologii””. Zagadnienia Rodzajów Literackich 3 (2020), 9–25.

Cheah Pheng, Spectral Nationality: Passages of Freedom from Kant to Postcolonial Literatures of Liberation (New York, Chichester: Columbia University Press), 2003.

Crutzen, Paul J., Eugene F. Stroemer. “The ‘Anthropocene’”. Global Change Newsletter 41 (2000), 17–18.

De Wolff, Kim. “Plastic Naturecultures: Multispecies Ethnography and the Dangers of Separating Living from Nonliving Bodies”. Body & Society 20, 10 (2017), 1–25.

Haider, Najmul, Peregrine Rothman-Ostrow, Abdinasir Yusuf Osman, Liã Bárbara Arruda, Laura Macfarlane-Berry, Linzy Elton, Margaret J. Thomason, Dorothy Yeboah-Manu, Rashid Ansumana, Nathan Kapata, Leonard Mboera, Jonathan Rushton, Timothy D. McHugh, David L. Heymann, Alimuddin Zumla, Richard A. Kock. “COVID-19-Zoonosis or Emerging Infectious Disease?”. Frontiers in Public Health 8 (2020), https://www.frontiersin.org/articles/10.3389/fpubh.2020.596944/full (20.02.2022).

Hogan, Chuck. The Blood Artists. New York: William Morrow, 1998.

Jaque, Andrés, Marina Otero Verzier, Lucia Pietroiusti, red. More-than-Human. Amsterdam–London: Het Nieuwe Instituut, Serpentine Galleries, Manifesta Foundation, 2020.

Latimer, Joanna. “Being Alongside: Rethinking Relations amongst Different Kinds”. Theory, Culture & Society 30 (2013), 77–104.

Latour, Bruno. Nadzieja Pandory. Eseje o rzeczywistości w studiach nad nauką, przeł. Krzysztof Abriszewski. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2013.

Latour, Bruno. “Agency at the Time of the Anthropocene”. New Literary History 45 (2014), 1–18.

Latour, Bruno. Nigdy nie byliśmy nowocześni. Studium z antropologii symetrycznej, przeł. Maciej Gdula. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2011.

Lowe, Celia. “Viral Clouds. Becoming H1N1 in Indonesia”. Cultural Anthropology 25, 4 (2010), 625–649.

Lunstrum, Elizabeth, Neel Ahuja, Bruce Braun, Patricia J. Lopez, Rebecca W.Y. Wong, Rebeca Collard. “More-than-Human and Deeply Human Perspectives on COVID-19”. Antipode 53, 5 (2021), 1503–1525.

Quammen, David. Spillover. Animal Infections and the Next Human Pandemic. New York–London: W. W. Norton & Company, 2013.

Rutz, Christian, Matthias-Claudio Loretto, Amanda E. Bates, Sarah C. Davidson, Carlos M. Duarte, Walter Jetz, Mark Johnson, Akiko Kato, Roland Kays, Thomas Mueller,

Richard B. Primack, Yan Ropert-Coudert, Marlee A. Tucker, Martin Wikelski and Francesca Cagnacci. “COVID-19 Lockdown Allows Researchers to Quantify the Effects of Human Activity on Wildlife”. Nature Ecology and Evolution 4 (2020), 1156–1159.

Sampson, Tony D., Virality. Contagion Theory in the Age of Networks. Minneapolis and London: University of Minnesota Press, 2012.

Schechner, Richard. Performatyka. Wstęp, przeł. Tomasz Kubikowski. Wrocław: Ośrodek Badań Twórczości Jerzego Grotowskiego i Poszukiwań Teatralno-Kulturowych, 2006.

Searle, Adam, Jonathon Turnbull, Jamie Lorimer. “After the Anthropause: Lockdown Lessons for More-than-Human Geographies”. The Geographical Journal 1 (2021), 69–77.

Singer, Merill. Introduction to Syndemics. A Critical Systems Approach to Public and Community Health. San Francisco: Jossey-Bass, 2009.

Strathern, Marilyn. Relations. An Anthropological Account. Durham and London: Duke University Press, 2020.

Sugiera, Małgorzata. Syndemiocen, czyli antropocen opisany językiem pandemii, źródło niepublikowane.

The Rain, reż. Kenneth Kainz, Natasha Arthy. Netflix, Dania, 2018–2020.

Tsing, Anna, “More-than-Human Socialities. A Call for Critical Description”. W: Anthropology and Nature, red. Kirsten Hastrup, 27–42. New York and London: Routledge, 2013.

Tsing, Anna. “When the Things We Study Respond to Each Other. Tools for Unpacking the ‘Material’”. W: More-than-Human, red. Andrés Jaque, Marina Otero Verzier, Lucia Pietroiusti, 16–21. Amsterdam–London: Het Nieuwe Instituut, Serpentine Galleries, Manifesta Foundation, 2020.

Wald Priscilla. Contagious. Cultures, Carriers and the Outbreak Narratives. Durham and London: Duke University Press, 2008.

Waterton Claire, Kathryn Yusoff. “Indeterminate Bodies: Introduction”. Body & Society 20, 10 (2017), 1–20


Published : 2023-06-29


ChaberskiM. (2023). Epidemic as a More-than-Human Performance. Er(r)go. Theory - Literature - Culture, (46), 43-60. https://doi.org/10.31261/errgo.13406

Mateusz Chaberski  mateusz.chaberski@uj.edu.pl
Jagiellonian University  Poland
https://orcid.org/0000-0002-6490-2340

Mateusz Chaberski is assistant professor in the Department for Performativity Studies of the Jagiellonian University in Kraków, Poland. In 2016 he won a Foundation for Polish Science scholarship for innovative research in Humanities. His academic interests range from performativity theory, affect, and assemblage theories to Anthropocene studies. In 2015, he published Doświadczenie (syn)estetyczne. Performatywne aspekty przedstawień ((Syn)aesthetic Experience: Performative Aspects of Site-Specific Performance) and in 2019 Asamblaże, Asamblaże. Doświadczenie w zamglonym antropocenie (Assemblages, Assemblages: Experience in the Foggy Anthropocene). Together with Mateusz Borowski and Małgorzata Sugiera, he edited Emerging Affinities: Possible Futures of Performative Arts (Transcript Verlag 2019) and with Ewa Bal Situated Knowing: Epistemic Perspectives on Performance (Routledge 2020).






Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

The Copyright Owners of the submitted texts grant the Reader the right to use the pdf documents under the provisions of the Creative Commons 4.0 International License: Attribution-Share-Alike (CC BY-SA). The user can copy and redistribute the material in any medium or format and remix, transform, and build upon the material for any purpose.

1. License

The University of Silesia Press provides immediate open access to journal’s content under the Creative Commons BY-SA 4.0 license (http://creativecommons.org/licenses/by-sa/4.0/). Authors who publish with this journal retain all copyrights and agree to the terms of the above-mentioned CC BY-SA 4.0 license.

2. Author’s Warranties

The author warrants that the article is original, written by stated author/s, has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author/s.

If the article contains illustrative material (drawings, photos, graphs, maps), the author declares that the said works are of his authorship, they do not infringe the rights of the third party (including personal rights, i.a. the authorization to reproduce physical likeness) and the author holds exclusive proprietary copyrights. The author publishes the above works as part of the article under the licence "Creative Commons Attribution-ShareAlike 4.0 International".

ATTENTION! When the legal situation of the illustrative material has not been determined and the necessary consent has not been granted by the proprietary copyrights holders, the submitted material will not be accepted for editorial process. At the same time the author takes full responsibility for providing false data (this also regards covering the costs incurred by the University of Silesia Press and financial claims of the third party).

3. User Rights

Under the CC BY-SA 4.0 license, the users are free to share (copy, distribute and transmit the contribution) and adapt (remix, transform, and build upon the material) the article for any purpose, provided they attribute the contribution in the manner specified by the author or licensor.

4. Co-Authorship

If the article was prepared jointly with other authors, the signatory of this form warrants that he/she has been authorized by all co-authors to sign this agreement on their behalf, and agrees to inform his/her co-authors of the terms of this agreement.

I hereby declare that in the event of withdrawal of the text from the publishing process or submitting it to another publisher without agreement from the editorial office, I agree to cover all costs incurred by the University of Silesia in connection with my application.