Published: 2024-12-20

Polishness on Foreign Screens: Polish Actors and the Construction of (Trans)National Identities in European Cinema

Kris Van Heuckelom Logo ORCID

Abstract

This text focuses on the contribution of Polish (and non-Polish) actors to building an image of expatriate Polishness in foreign (European) feature films. The two main questions that underlie the conducted research are: which actors were cast as Polish emigrants in European cinematography and how does the Polishness of these actors portrayed on screen intertwine with other identity markers (such as class, gender, ethnicity, generational affiliation, religion)? The main focus is on productions from the 1990s up to the 2010s when the theme of Polish migration was gaining increasing importance in European cinema. As indicated by the careers of prominent actresses such as Alicja Bachleda-Curuś and Agata Buzek, this growing corpus of films redefines expatriate Polishness along two thematic lines: interethnic romance (as a form of Europeanisation) and intergenerational conflict (as a form of anti-patriarchal resistance). While the second theme serves to reconfigure Polishness from a position of confrontation (against paternal and patriarchal authority), the first theme does the same from a clearly positive and constructive point of view (as it embodies a return to the “European family” through a form of transnational reconciliation).

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Van Heuckelom, K. (2024). Polishness on Foreign Screens: Polish Actors and the Construction of (Trans)National Identities in European Cinema. Postscriptum Polonistyczne, 34(2), 1–15. https://doi.org/10.31261/PS_P.2024.34.02

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Vol. 34 No. 2 (2024)
Published: 2024-09-19


ISSN: 1898-1593
eISSN: 2353-9844
Ikona DOI 10.31261/PS_P

Publisher
Wydawnictwo Uniwersytetu Śląskiego | University of Silesia Press

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