https://doi.org/10.31261/errgo.18421
The article analyses the popularity of the so-called soft masculinity in East Asia and the controversy it arouses among the political elites of the People’s Republic of China. The growing interest of young Chinese people in genres such as danmei raises fears of feminisation and emasculation. In response, models of military masculinity are being promoted, an iconic example of which is the film Wolf Warrior 2. The article draws on theoretical models of masculinity, including the concepts of R. W. Connell and Kama Louie, to present these phenomena to the Polish reader. It points out that analysing Chinese debates on masculinity not only deepens our understanding of contemporary cultural tensions in China, but also provides a broader perspective for reflecting on European concepts of masculinity.
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2026
Published: 2025-02-24
10.31261/errgo

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.