https://doi.org/10.31261/FL.2025.13.1.07
This article focuses on 19th-century folk songs, which are typically used as sources for dialectological research, but, as it turns out, also serve as important source material for studying the evolution of sociolects. The author’s aim is to demonstrate the necessity of including folk songs in discussions about the development and history of thieves’ jargon. The premise is that when studying historical vocabulary belonging to social varieties of language, particularly as recorded in diverse sources (such as folkloric works, crime novels, or popular science studies), adopting a broad, inclusive perspective is essential. This perspective should not exclude anthropological approaches and consider language a communicative tool deeply rooted in specific cultural, historical, and sociological contexts. As the analysis reveals, this approach opens the door to re-examining widely accepted theses and theories about thieves’ jargon – for example, the chronology of the emergence of specific forms and meanings, processes of semantic change, the origins of particular lexical items, and the increasingly visible trend of this jargon becoming less secret and infiltrating other language varieties.
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Vol. 13 No. 1 (2025)
Published: 2025-06-30
10.31261/FL

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.